2
" I realized, when I saw the forest burning, how fascinating the firelight is. It's beautiful, and people stare at it, don't they? It destroys and kills people, but humans love it. Is it because they crave their own destruction, Sam? I want to understand your kind. I am going out into the wider world, and I must learn. (Chapter Twenty-Seven | 1 Hour, 29 Minutes) "
― Michael Grant , Light (Gone, #6)
3
" But first things first. First, to escape this shell, this egg in which I have gestated, all eyes will be on the fire, all eyes blinded by the smoke, and when I walk out of here, out into your large world with its billions, no one will even see. It's the beauty of light, don't you see, Sam? It reveals, but it also distracts and blinds. It's even better than darkness.
(Chapter Twenty-Seven | 1 Hour, 29 Minutes) "
― Michael Grant , Light (Gone, #6)
4
" I realized, when I saw the forest burning, how fascinating the firelight is. It's beautiful, and people stare at it, don't they? It destroys things and kills people, but humans love it. Is it because they crave their own destruction, Sam? I want to understand your kind. I am going out into the wider world, and I must learn. But first things first. First, to escape this shell, this egg in which I have gestated, all eyes will be on the fire, all eyes blinded by the smoke, and when I walk out of here, out into your large world with its billions, no one will even see. It's the beauty of light, don't you see, Sam? It reveals, but it also distracts and blinds. It's even better than darkness. "
― Michael Grant , Light (Gone, #6)
10
" She found Diana’s room. Diana was sitting in her bed using a remote control to idly flip through the channels on the wall-mounted TV.
“You,” Diana said by way of greeting.
“Me,” Astrid said.
“Can’t believe it,” Diana said. “All this time. And there’s still nothing on.”
Astrid laughed and lowered herself slowly into a chair. “You know how they say hospital food is so awful? Somehow I’m not having that reaction.”
“Tapioca beats rat,” Diana said.
“I never minded rat as much as that dog jerky we were getting for a while. The stuff Albert had them flavor with celery salt? That was the culinary low point for me.”
“Yeah, well, I had a lower low point,” Diana said, sounding angry. Or maybe not angry, maybe hurt.
Astrid put a hand on Diana’s arm, and Diana did not shake it off. "
― Michael Grant , Light (Gone, #6)
13
" Sam Temple was taken by helicopter to a hospital in Los Angeles, where there were specialists there in burn injuries. He wasn’t consulted: he was found on his knees, obviously in shock, extensively burned. EMTs took over.
Astrid Ellison was taken to a hospital in Santa Barbara, as was Diana Ladris.
Other kids were shared out among half a dozen hospitals. Some specialized in plastic surgery, others in the effects of starvation.
Over the next week all were seen by psychiatrists once their immediate physical injuries were addressed. Lots of psychiatrists. And when they weren’t being seen by psychiatrists, they were being seen by FBI agents, and California Highway Patrol investigators, and lawyers from the district attorney’s office.
The consensus seemed to be that a number of the Perdido survivors, as they were now known, would be prosecuted for crimes ranging from simple assault to murder.
First on that list was Sam Temple. "
― Michael Grant , Light (Gone, #6)
16
" When she came back down, Sam and Astrid had arrived.
Sam hugged Dekka, and the two of them stayed that way for a long time, saying nothing. Both had loved Brianna.
To Edilio, Sam said, “I’m so sorry, man. I wish I’d . . . You know what I wish.”
Edilio fought back a fresh rush of tears, nodded, waited until he was sure he could speak, and said, “I’m glad you’re back, boss. "
― Michael Grant , Light (Gone, #6)
17
" Dear Mr. Chance and Ms. Brattle. Sorry about the mess. Great bed. Loved it. As a matter of fact, loved the whole house. Actually, I tried to kill your kids when I found them here. Yeah, funny story. Maybe not funny, hah hah.’”
Astrid heard nervous laughter from the media people, or maybe just from the hotel staff who were hovering around the edges grabbing a glimpse of the Hollywood royalty.
“‘Anyway, I missed and they got away. I don’t know what will happen to Sanjit and that stick-up-his butt Choo and the rest, but whatever happens next, it’s not on me. However . . .’”
Astrid took a dramatic pause.
“‘However, the rest of what happened was on me. Me, Caine Soren. You’ll probably be hearing a lot of crazy stories from kids. But what they didn’t know was that it was all me. Me. Me me. See, I had a power I never told anyone about. I had the power to make people do bad things. Crimes and whatnot. Especially Diana, who never did anything wrong on her own, by her own will, I mean. She—and the rest of them—were under my control. The responsibility is on me. I confess. Haul me away, officers.’”
Astrid suddenly felt her throat tightening, although she’d read the letter many times already, and knew what it said. Rotten son of a . . . And then this.
Redemption. Not a bad concept.
Well, partial redemption.
“It’s signed Caine Soren. And below that, ‘King of the FAYZ.’”
It was a full confession. A lie: a blatant, not-very-convincing lie. But it would be just enough to make prosecutions very difficult. Caine’s role in the FAYZ, and the reality that strange powers had actually existed in that space, were widely known and accepted.
Of course Caine had enjoyed writing it. It was his penultimate act of control. He was manipulating from beyond the grave. "
― Michael Grant , Light (Gone, #6)
19
" He overheard the director talking to one of the cameramen. The cameraman was explaining that he couldn’t get a good long shot on the exterior because someone had set up a fake graveyard right in the plaza.
“Kids just playing around, I guess, but it’s morbid; we’ll have to get rid of it, maybe bring in some sod to—”
“No,” Albert said.
“We’re almost ready for you,” the director assured him.
“That’s not a fake graveyard. Those aren’t fake graves. No one was playing around.”
“You’re saying those . . . those are actually . . .”
“What do you think happened here?” Albert asked in a soft voice. “What do you think this was?” Absurdly, embarrassingly, he had started to cry. “Those are kids buried there. Some of them were torn apart, you know. By coyotes. By . . . by bad people. Shot. Crushed. Like that. Some of those kids in the ground there couldn’t take it, the hunger and the fear . . . some of those kids out there had to be cut down from the ropes they used to hang themselves. Early on, when we still had any animals? I had a crew go out and hunt down cats. Cats and dogs and rats. Kill them. Other kids to skin them . . . cook them up.”
There were a dozen crew people in the McDonald’s. None spoke or moved.
Albert brushed away tears and sighed. “Yeah. So don’t mess with the graves. Okay? Other than that, we’re good to go. "
― Michael Grant , Light (Gone, #6)