A sequence QUOTES

1 " Living is about capturing the essence of things. I go through my life every day with a vial, a vial wherein can be found precious essential oils of every kind! The priceless, fragrant oils that are the essence of my experiences, my thoughts. I walk inside a different realm from everybody else, in that I am existing in the essence of things; every time there is reason to smile, I hold out my glass vial and capture that drop of oil, that essence, and then I smile. And that is why I have smiled, and so you and I may be smiling at the same time but I am smiling because of that one drop of cherished, treasured oil that I have extracted. When I write, I find no need to memorize an idea, a plot, a sequence of things: no. I must only capture the essence of a feeling or a thought and once I have inhaled that aroma, I know that I have what I need. "

― C. JoyBell C.

2 " The other night we talked about literature's elimination of the unessential, so that we are given a concentrated " dose" of life. I said, almost indignantly, " That's the danger of it, it prepares you to live, but at the same time, it exposes you to disappointments because it gives a heightened concept of living, it leaves out the dull or stagnant moments. You, in your books, also have a heightened rhythm, and a sequence of events so packed with excitement that I expected all your life to be delirious, intoxicated." Literature is an exaggeration, a dramatization, and those who are nourished on it (as I was) are in great danger of trying to approximate an impossible rhythm. Trying to live up to Dostoevskian scenes every day. And between writers there is a straining after extravagance. We incite each other to jazz-up our rhythm. "

3 " schools assume that children are not interested in learning and are not much good at it, that they will not learn unless made to, that they cannot learn unless shown how, and that the way to make them learn is to divide up the prescribed material into a sequence of tiny tasks to be mastered one at a time, each with it's approrpriate 'morsel' and 'shock.' And when this method doesn't work, the schools assume there is something wrong with the children -- something they must try to diagnose and treat. "

― John C. Holt

4 " The events in our lives happen in a sequence in time, but in their significance to ourselves they find their own order, a timetable not necessarily - perhaps not possibly - chronological. The time as we know it subjectively is often the chronology that stories and novels follow: it is the continuous thread of revelation. "

5 " Not to forgive is to be imprisoned by the past, by old grievances that do not permit life to proceed with new business. Not to forgive is to yield oneself to another's control... to be locked into a sequence of act and response, of outrage and revenge, tit for tat, escalating always. The present is endlessly overwhelmed and devoured by the past. Forgiveness frees the forgiver. It extracts the forgiver from someone else's nightmare. "

6 " The novelist defines the story with the following example: If you are told that the king died and then the queen died, that is a sequence of events. If you were told that the king died and then the queen died of grief, that is a story that he was interested. "

― E.M. Forster

7 " I never settled with anything. It was like a pendulum; swinging back and forth but never reached a comatose state. As a sequence of events around me unfolded, I struggled to understand who I was, whose child I was and whether I would ever find a way home. "

― Diyar Harraz , Like The Starlings

8 " What I had experienced at the age of twenty was not yet a memory. And memory meant not that what-had-been recurring, but that what-had-been situated itself by recurring. If I remembered, I knew that an experience was thus and so, exactly thus; in being remembered, it first became known to me, nameable, voiced, speakable; accordingly I look on memory as more than haphazard thinking back - as work; the work of memory situates experience in a sequence that keeps it alive, a story which can open out into free storytelling, greater life, invention. "

― Peter Handke , Repetition

9 " Each time I say good-bye to a place I like, I feel like I am leaving a part of me behind. I guess whether we choose to travel as much as Marco Polo did or stay in the same spot from cradle to grave, life is a sequence of births and deaths. Moments are born and moments die. For new experiences to come to light, old ones need to wither away. "

― Elif Shafak , The Forty Rules of Love

10 " After finishing 1st draft of a novel, I have the characters, dialogue, scenes, and a plotline. I used to think this meant I knew where the story was going, and what the book was about.
I have learned over the years, this ain’t so.
As I work through its 2nd draft, characters start to nudge each other. The story itself takes its first soft and shallow breath, and one could imagine he hears a little bit of a heartbeat. Passions deepen, and emotional threads start to weave through what had earlier just been little more than a sequence of events.
On the 3rd run through, the characters stand tall. Some break free of my earlier concepts of what they were all about, what they wanted, how they related to each other, and where they were going.
From then on, THEY set the pace, and I do my best to honor them in becoming what THEY choose to be.
From then on, my friends; we have a story!

By the end of the 3rd draft, I have enough of an idea of where the characters are going, and how their passions empower the story, or tear it apart, that I can start cutting away, and cutting away, anything that isn’t that.
Until we reach the point where there is not a single word left anywhere in the book, that isn’t a vital, dynamic, organic contributor to the living whole. "

― Edward Fahey

11 " And then I went back into my room, locked into a sequence as perfect as a pattern, and I sat down on my great rock throne, invisible to the outside world but palpable beneath me, and from how my face felt I thought maybe I was crying, either because I didn’t want to do this or because I did, it was hard to tell and anyway I never would, who would believe me in either case and who would be there to believe me in all cases, it was a puzzle, I had yet to learn the way of the jigsaw, and so I positioned the rifle beneath my chin, it feels cold, like an actual thing in the actual present physical world, OK, there it is, I am here now, and then I lay down on my belly and listened to the rising squall beyond the door. "

― John Darnielle , Wolf in White Van

12 " In the last 25 years, criticism of most theories advanced by Darwin and the neo-Darwinians has increased considerably, and so did their defense. Darwinism has become an ideology, while the most significant theories of Darwin were proven unsupportable. The critics advanced other theories instead of 'natural selection' and the survival of the fittest'. 'Saltatory ontogeny' and 'epigenesis' are such new theories proposed to explain how variations in ontogeny and novelties in evolution are created. They are reviewed again in the present essay that also tries to explain how Darwinians, artificially kept dominant in academia and in granting agencies, are preventing their acceptance. Epigenesis, the mechanism of ontogenies, creates in every generation alternative variations in a saltatory way that enable the organisms to survive in the changing environments as either altricial or precocial forms. The constant production of two such forms and their survival in different environments makes it possible, over a sequence of generations, to introduce changes and establish novelties--the true phenomena of evolution. The saltatory units of evolution remain far-from-stable structures capable of self-organization and self-maintenance (autopoiesis).
[Evolution by epigenesis: farewell to Darwinism, neo- and otherwise.] "

― Eugene K. Balon

13 " The truth was that I didn't know my own mind. Just as you might move into a house and in the scatterbrained days of unpacking leave a broom in some corner, where it remains until someone uses it and then returns it to that corner, now knowing that it was there by casual chance, until slowly that corner becomes its hallowed place, where you can always find the broom - just as all traditions begin as accidents, how the borders of countries are formed, how we marry, how we make friends and children - so, until Oxford, had I lived, within a sequence of non decisions, and yet with the same misdirected conviction of intentionality with which humans infuse their errors and felicities alike. "

― Charles Finch , The Last Enchantments

14 " I thought you could build a story that would function as a machine or else a complex of machines, each one moving separately, yet part of a process that ultimately would produce an emotion or a sequence of emotions. You could swap out parts, replace them if they got too old. And this time you would build in some redundancy, if only just to handle the stress.
One question was: Would the engine still work if you were aware of it, or if you were told how it actually functioned? Maybe this was one of the crucial differences between a story and a machine. "

― Paul Park , All Those Vanished Engines

15 " Genetic engineering was messy. To force a sequence of foreign DNA into a plant, you couldn’t just snip the desired gene from the bacteria and sew it on to the plant’s DNA sequence like an old woman working on a quilt. "

― Kenneth Eade

16 " Momentarily drained of lust, he stares at the remembered contortions to which it has driven him. His life seems a sequence of grotesque poses assumed to no purpose, a magic dance empty of belief. "

― John Updike , Rabbit, Run

17 " And perhaps it was precisely because she knew nothing at all about chess that chess for her was not simply a parlor game or a pleasant pastime, but a mysterious art equal to all the recognized arts. She had never been in close contact with such people — there was no one to compare him with except those inspired eccentrics, musicians and poets whose image one knows as clearly and as vaguely as that of a Roman Emperor, an inquisitor or a comedy miser. Her memory contained a modest dimly lit gallery with a sequence of all the people who had in any way caught her fancy. "

― Vladimir Nabokov , The Luzhin Defense

18 " What reading does, ultimately, is keep alive the dangerous and exhilarating idea that a life is not a sequence of lived moments, but a destiny...the time of reading, the time defined by the author's language resonating in the self, is not the world's time, but the soul's. The energies that otherwise tend to stream outward through a thousand channels of distraction are marshaled by the cadences of the prose; they are brought into focus by the fact that it is an ulterior, and entirely new, world that the reader has entered. The free-floating self--the self we diffusely commune with while driving or walking or puttering in the kitchen--is enlisted in the work of bringing the narrative to life. In the process, we are able to shake off the habitual burden of insufficient meaning and flex our deeper natures. "

― Sven Birkerts , The Gutenberg Elegies: The Fate of Reading in an Electronic Age

19 " The Engineer smiled (internally, for of course it had no mouth). It was feeling good. It was feeling optimistic. Moving at its current speed, it would arrive back in Ireland in plenty of time to shut everything down before a series of overloads and power loops inevitably led to a sequence of events which would, in turn, eventually lead to the probable destruction of the world. The Engineer wasn't worried.
And then the truck hit it. "

― Derek Landy , Last Stand of Dead Men (Skulduggery Pleasant, #8)

20 " The events in our lives happen in a sequence in time but in their significance to ourselves they find their own order ... the continuous thread of revelation. "