4
" There are a lot of ways for a novelist to create suspense, but also really only two: one a trick, one an art.
The trick is to keep a secret. Or many secrets, even. In Lee Child’s books, Jack Reacher always has a big mystery to crack, but there are a series of smaller mysteries in the meantime, too, a new one appearing as soon as the last is resolved. J. K. Rowling is another master of this technique — Who gave Harry that Firebolt? How is Rita Skeeter getting her info?
The art, meanwhile, the thing that makes “Pride and Prejudice” so superbly suspenseful, more suspenseful than the slickest spy novel, is to write stories in which characters must make decisions. “Breaking Bad” kept a few secrets from its audience, but for the most part it was fantastically adept at forcing Walter and Jesse into choice, into action. The same is true of “Freedom,” or “My Brilliant Friend,” or “Anna Karenina,” all novels that are hard to stop reading even when it seems as if it should be easy. "
― Charles Finch
11
" The truth was that I didn't know my own mind. Just as you might move into a house and in the scatterbrained days of unpacking leave a broom in some corner, where it remains until someone uses it and then returns it to that corner, now knowing that it was there by casual chance, until slowly that corner becomes its hallowed place, where you can always find the broom - just as all traditions begin as accidents, how the borders of countries are formed, how we marry, how we make friends and children - so, until Oxford, had I lived, within a sequence of non decisions, and yet with the same misdirected conviction of intentionality with which humans infuse their errors and felicities alike. "
― Charles Finch , The Last Enchantments
16
" To me, the single biggest mark of the amateur writer is a sense of hurry.
Hurry to finish a manuscript, hurry to edit it, hurry to publish it. It’s definitely possible to write a book in a month, leave it unedited, and watch it go off into the world and be declared a masterpiece. It happens every fifty years or so.
For the rest of us, the single greatest ally we have is time. There’s no page of prose in existence that its author can’t improve after it’s been in a drawer for a week. The same is true on the macro level – every time I finish a story or a book, I try to put it away and forget it for as long as I can. When I return, its problems are often so obvious and easy to fix that I’m amazed I ever struggled with them.
Amateur writers are usually desperate to be published, as soon as possible. And I understand that feeling – you just want it to start, your career, your next book, whatever. But I wonder how many self-published novels might have had a chance at getting bought, and finding more readers, if their authors had a bit more patience with them? "
― Charles Finch
17
" The river was glossy, narrow, and quick, a beautiful green color, with the white and maroon striped college punts strung along the near bank. .... The sun, westering, heavy, and hazy, was in those great final throes of energy before the sky whitens and clears, and evening comes. I stood and watched it. That immense body, dying trillions of feet away from me, still warming my face with its steady insensate chemistries. "
― Charles Finch , The Last Enchantments
