2
" Her parents noticed, when Dominika turned five, that the little girl had a prodigious memory. She could recite lines from Pushkin, identify the concertos of Tchaikovsky. And when music was played, Dominika would dance barefoot around the Oriental carpet in the living room, perfectly in time with the notes, twirling and jumping, perfectly in balance, her eyes gleaming, her hands flashing. Vassily and Nina looked at each other, and her mother asked Dominika how she had learned all this. “I follow the colors,” said the little girl.
“What do you mean, ‘the colors’?” asked her mother. Dominika gravely explained that when the music played, or when her father read aloud to her, colors would fill the room. Different colors, some bright, some dark, sometimes they “jumped in the air” and all Dominika had to do was follow them. It was how she could remember so much. When she danced, she leapt over bars of bright blue, followed shimmering spots of red on the floor. The parents looked at each other again.
“I like red and blue and purple,” said Dominika. “When Batushka reads, or when Mamulya plays, they are beautiful.”
“And when Mama is cross with you?” asked Vassily.
“Yellow, I don’t like the yellow,” said the little girl, turning the pages of a book. “And the black cloud. I do not like that. "
― , Red Sparrow (Red Sparrow Trilogy, #1)
7
" She hadn’t foreseen this. (She knew he certainly had not.) In her service as well as his, Dominika knew it was zapreshchennyi, strictly forbidden, to become physically involved with an agent. Emotional complications are death to a clandestine operation. It’s not for no reason they whisk the Sparrow from the room after the honey trap and “Uncle Sasha” takes over, all business, because passions get in the way, you can’t get anywhere with an agent who is thinking about his khuy, the old instructors used to say, cackling and trying to get her to blush.
She was in his arms, kissing him, not frantically, but slowly, softly; his lips were warm and she wanted to drink them in. She felt a pressure building in her body, inside her skull, in her breasts, between her legs. His hands pressed on her back and she felt sweet and edgy, as if they were childhood friends who years later had discovered each other as adults. He breathed deep purple heat into her ear, and she felt it down her spine. "
― , Red Sparrow (Red Sparrow Trilogy, #1)
17
" Whatever he thought about her personally—she wasn’t sure—his fretting and worry were endearing. She realized that she herself was feeling the strain, living constantly with the ice-cold secret. Goaded by anger at first, she had fallen into her new role, a different role. She had pushed herself for the Americans because she trusted them, they cared for her, they were professionals.
But especially for Nate. Part of what Dominika was doing was for him, she realized. If he had asked her, she would have told him she had no thought of quitting. She was determined and focused.
But right now she needed something more than the rush of deception, of the knowledge that her will was stronger than all others’, that she was besting the Gray Cardinals. She needed to be needed. By him. She could feel her secret self open the hurricane-room door and step outside. Dominika put her hands on the arms of Nate’s chair, bent over, and kissed him on the lips. "
― , Red Sparrow (Red Sparrow Trilogy, #1)