2
" My friends, tonight we bring you something entirely different. Something special. The poets will rest, the sonnets will be silent, and what words of love there are will not be spoken. Tonight, my friends, and I can hear you out there, sitting alone, like me, in your chairs, your beds, driving down an empty street with no one but me to listen to your weeping; tonight, I'm going to bring you Armageddon. "
― Charles L. Grant
16
" Dana?' [asked Garson].
She nodded to show him she was listening.
'Why does he call you Scully all the time? I mean, you do have a first name.'
'Because he can,' she answered simply, without sarcasm, and didn't bother to explain. Just as it would be hard to explain why Mulder was, without question, the best friend she had. It was more than just being partners, being able to rely on each other when one of them was in danger, or when one of them needed a boost when a case seemed to be going bad; and it was more than simply their contrasting styles, which, perversely to some, complemented each other perfectly.
What it was, she sometimes thought, was an indefinable instinct, a silent signal that let her know that whatever else changed, whatever else happened, Mulder would always be there when he had to be. One way or another. "
― Charles L. Grant , Whirlwind (The X-Files)
19
" Mrs. Radcliffe, you of all people should be glad that Gothics are all the rage. Too bad, though, because they’re mutants, you know, hideous, monstrous travesties of every honest fear man ever had.” Another book, another toss. “Mr. Machen, did you know that you and your kind have been called old-fashioned? Out-of-date and worn in a worn, cynical world. Poe, an ass; Hawthorne a pansy. "
― Charles L. Grant , Tales from the Nightside
20
" There was a correspondence course he failed to complete; a trip to the castles on the Rhine, Rhone, and Danube that took six years of his savings. Weekend flights to New England in desperate search of spectral Arkham, spring vacations in Haiti, Christmas in rural England, and a cold white dawn at Stonehenge. Midnights walking the streets in storms. And a year ago, the beginning of the collection that walled his study, reading and examining, hunting for a clue to the authors’ ability to write eloquently about the unspeakable, darkly about the commonplace; over and over and over again until he had memorized nearly every florid, majestic, purple, and bitter bitten paragraph. Nightmares. Sweat. The sounds of blood dripping whenever he turned a page. "
― Charles L. Grant , Tales from the Nightside
