2
" Who can ignore that the Olympians of the new bourgeois aristocracy no longer inhabit. They go from grand hotel to grand hotel, or from castle to castle, commanding a fleet or a country from a yacht. They are everywhere and nowhere. That is how they fascinate people immersed into everyday life. They transcend everyday life, possess nature and leave it up to the cops to contrive culture. Is it essential to describe at length, besides the condition of youth, students and intellectuals, armies of workers with or without white collars, people from the provinces, the colonized and semi-colonized of all sorts, all those who endure a well-organized daily life, is it here necessary to exhibit the derisory and untragic misery of the inhabitant, of the suburban dweller and of the people who stay in residential ghettoes, in the mouldering centres of old cities and in the proliferations lost beyond them? One only has to open one's eyes to understand the daily life of the one who runs from his dwelling to the station, near or far away, to the packed underground train, the office or the factory, to return the same way in the evening and come home to recuperate enough to start again the next day. The picture of this generalized misery would not go without a picture of 'satisfactions' which hides it and becomes the means to elude it and break free from it. "
― Henri Lefebvre , Writings on Cities
13
" Chaplin gave us a genuine reverse image of modern times: its image seen through a living man, through his sufferings, his tribulations, his victories. We are now entering the vast domain of the illusory reverse image. What we find is a false world: firstly because it is not a world, and because it presents itself as true, and because it mimics real life closely in order to replace the real by its opposite; by replacing real unhappiness by fictions of happiness, for example—by offering a fiction in response to the real need for happiness—and so on. This is the 'world' of most films, most of the press, the theatre, the music hall: of a large sector of leisure activities. (57) "
― Henri Lefebvre , Critique of Everyday Life
17
" agricultural production has lost all its autonomy in the major industrialized nations and as part of a global economy. It is no longer the principal sector of the economy, nor even a sector characterized by any distinctive features (aside from underdevelopment). Even though local and regional features from the time when agricultural production dominated haven’t entirely disappeared, it has been changed into a form of industrial production, having become subordinate to its demands, subject to its constraints. Economic growth and industrialization have become self-legitimating, extending their effects to entire territories, regions, nations, and continents. As a result, the traditional unit typical of peasant life, namely the village, has been transformed. Absorbed or obliterated by larger units, it has become an integral part of industrial production and consumption. "
― Henri Lefebvre , The Urban Revolution
18
" In this sense, a vacation home, a highway, a supermarket in the countryside are all part of the urban fabric. Of varying density, thickness, and activity, the only regions untouched by it are those that are stagnant or dying, those that are given over to “nature.” With the decline of the village life of days gone by, agricultural producers, “farmers,” are confronted with the agricultural town. "
― Henri Lefebvre , The Urban Revolution
