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" In those meetings, I learned that even economic diagrams needn’t be linear. Ours was a nest of concentric circles, and an enterprise was measured by its value to each circle, from the individual and family to the community and environment. I realized that Rebecca and her colleagues were trying to do nothing less than transform the System of National Accounts, the statistical framework here and in most countries for measuring economic activity. For instance, the value of a tree depends on its estimated value or sale price, but if it is sold and cut down, there is no accounting on the debit side of the ledger for loss of oxygen, seeding of other trees, or value to the community or the environment. This group was inventing a new way of measuring profit and loss.
By the end of our days together, I understood economics in a whole new way. A balance sheet really could be about balance. "
― Gloria Steinem , My Life on the Road
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" There is a small wooden viewing tower, and pamphlets from the State of Ohio, but they focus on facts—for instance, the Serpent Mound is as long as four football fields—not on meaning. In The Sacred Hoop, Paula Gunn Allen, a Native poet, mythologist, and scholar, explains that Serpent Woman was one of the names of the quintessential original spirit “that pervades everything, that is capable of powerful song and radiant movement, and that moves in and out of the mind…she is both Mother and Father to all people and all creatures. She is the only creator of thought, and thought precedes creation.”
In Western mythology, she might be compared to Medusa, the serpent-haired Greek goddess whose name means Knowing Woman or Protectress. She once was all-powerful—until patriarchy came along in the form of a mythic young man who chopped off her head. He was told to do this by Athena, who sprang full-blown from the mind of her father, Zeus—a goddess thought up by patriarchy and therefore motherless. There is history in what is dismissed as prehistory. "
― Gloria Steinem , My Life on the Road