181
" There is a Western phenomenon called the male midlife crisis. Very often it is heralded by divorce. What history might have done to you, you bring about on purpose: separation from woman and child. Don’t tell me that such men aren’t tasting the ancient flavors of death and defeat.
In America, with divorce achieved, the midlifer can expect to be more recreational, more discretionary. He can almost design the sort of crisis he is going to have: motorbike, teenage girlfriend, vegetarianism, jogging, sports car, mature boyfriend, cocaine, crash diet, powerboat, new baby, religion, hair transplant.
Over here, now, there’s no angling around for your male midlife crisis. It is brought to you and it is always the same thing. It is death. "
― Martin Amis , House of Meetings
184
" And there was something that frightened me much more. If I went to the doctor's tomorrow, and was cured by, say, the weekend, there'd be no relief from anxiety, just different anxiety. Even as the antibiotics hosed down my genitals, the mind's bacteria would be forming new armies. I'd come up with something to get me down...
Was this the case with everyone -- everyone, that is, who wasn't already a thalidomide baked-bean, or a gangrenous imbecile, or degradingly poor, or irretrievably ugly, and would therefore have pretty obvious targets for their worries? If so, the notion of 'having problems' -- or 'having a harder life than most people', or 'having a harder life than you usually had' -- was spurious. You don't have problems, only a capacity for feeling anxious about them, which shifts and jostles but doesn't change. "
― Martin Amis , The Rachel Papers
186
" And while Trish stared - stared, as it now seemed, into her own eyes - Guy held her hand and watched the crowd: how it bled colour from the enormous room and drew all energy towards itself, forming one triumphal being; how it trembled, then burst or came or died, releasing individuality; and how the champion was borne along on its subsidence, his back slapped, his hair tousled, mimed by female hands and laughing, like the god of mobs. "
― Martin Amis , London Fields
191
" But now it seems clear that literary criticism was inherently doomed. Explicitly or otherwise it had based itself on a structure of echelons and hierarchies; it was about the talent elite. And the structure atomized as soon as the forces of democratization gave their next concerted push.
Those forces – incomparably the most potent in our culture – have gone on pushing. And they are now running up against a natural barrier. Some citadels, true, have proved stormable. You can become rich without having any talent (via the scratchcard and the rollover jackpot). You can become famous without having any talent (by abasing yourself on some TV nerdathon; a clear improvement on the older method of simply killing a celebrity and inheriting the aura). But you cannot become talented without having any talent. Therefore, talent must go.
Literary criticism, now almost entirely confined to the universities, thus moves against talent by moving against the canon. Academic preferment will not come from a respectful study of Wordsworth’s poetics; it will come from a challenging study of his politics – his attitude toward the poor, say, or his unconscious ‘valorization’ of Napoleon; and it will come still faster if you ignore Wordsworth and elevate some (justly) neglected contemporary, by which process the canon may be quietly and steadily sapped. A brief consultation of the Internet will show that meanwhile, everyone has become a literary critic – or at least, a book-reviewer. "
― Martin Amis , The War against Cliché: Essays and Reviews 1971-2000
198
" The smocked chick fingered my hair and said in her stupid voice, 'You're receding.' 'We all are,' I said. We all are. We are all receding — waving or beckoning or just kissing our fingertips, we are all fading, shrinking, paling. Life is all losing, we are all losing, losing mother, father, youth, hair, looks, teeth, friends, lovers, shape, reason, life. We are losing, losing, losing. Take life away. It's too hard, too difficult. We aren't any good at it. Try us out on something else. But shelve life. Take life off the stands. It's too fucking difficult and we aren't any good at it. "
― Martin Amis , Money
199
" I looked at it out there. The figures that held my attention, as always (I too had an office at Buna, and spent many hours in front of its window), the figures that held my attention were not the men in stripes, as they queued or scurried in lines or entangled one another in a kind of centipedal scrum, moving at an unnatural speed, like extras in a silent film, moving faster than their strength or build could bear, as if in obedience to a frantic crank swivelled by a furious hand; the figures that held my attention were not the Kapos who screamed at the prisoners, nor the SS noncoms who screamed at the Kapos, nor the overalled company foremen who screamed at the SS noncoms. No. What held my eye were the figures in city business suits, designers, engineers, administrators from IG Farben plants in Frankfurt, Leverkusen, Ludwigshafen, with leather-bound notebooks and retractable yellow measuring tapes, daintily picking their way past the bodies of the wounded, the unconscious, and the dead. "
― Martin Amis , The Zone of Interest
