1
" I looked at it out there. The figures that held my attention, as always (I too had an office at Buna, and spent many hours in front of its window), the figures that held my attention were not the men in stripes, as they queued or scurried in lines or entangled one another in a kind of centipedal scrum, moving at an unnatural speed, like extras in a silent film, moving faster than their strength or build could bear, as if in obedience to a frantic crank swivelled by a furious hand; the figures that held my attention were not the Kapos who screamed at the prisoners, nor the SS noncoms who screamed at the Kapos, nor the overalled company foremen who screamed at the SS noncoms. No. What held my eye were the figures in city business suits, designers, engineers, administrators from IG Farben plants in Frankfurt, Leverkusen, Ludwigshafen, with leather-bound notebooks and retractable yellow measuring tapes, daintily picking their way past the bodies of the wounded, the unconscious, and the dead. "
― Martin Amis , The Zone of Interest
3
" Under National Socialism you looked in the mirror and saw your soul. You found yourself out. This applied, par excellence and a fortiori, (by many magnitudes), to the victims, or to those who lived for more than an hour and had time to confront their own reflections. And yet it also applied to everyone else, the malefactors, the collaborators, the witnesses, the conspirators, the outright martyrs (Red orchestra, White Rose, the men and women of July 20), and even the minor obstructors, like me, and like Hannah Doll. We all discovered, or helplessly revealed, who we were.
Who somebody really was. That was the Zone of interest. "
― Martin Amis , The Zone of Interest
11
" If what we’re doing is good, why does it smell so lancingly bad? On the ramp at night, why do we feel the ungainsayable need to get so brutishly drunk? Why did we make the meadow churn and spit? The flies as fat as blackberries, the vermin, the diseases, ach, scheusslich, schmierig—why? Why do rats fetch 5 bread rations per cob? Why did the lunatics, and only the lunatics, seem to like it here? Why, here, do conception and gestation promise not new life but certain death for both woman and child? Ach, why all der Dreck, der Sumpf, der Schleim? Why do we turn the snow brown? Why do we do that? Make the snow look like the shit of angels. Why do we do that? "
― Martin Amis , The Zone of Interest
