Galway Kinnell QUOTES

41 " Flying Home

As this plane dragged
its track of used ozone half the world long
thrusts some four hundred of us
toward places where actual known people
live and may wait,

we diminish down in our seats,
disappeared into novels of lives clearer than ours,
and yet we do not forget for a moment
the life down there, the doorway each will soon enter:

where I will meet her again
and know her again,
dark radiance with, and then mostly without, the stars.

Very likely she has always understood
what I have slowly learned,
and which only now, after being away, almost as far away

as one can get on this globe, almost
as far as thoughts can carry - yet still in her presence,
still surrounded not so much by reminders of her
as by things she had already reminded me of,
shadows of her
cast forward and waiting - can I try to express:

that love is hard,
that while many good things are easy, true love is not,
because love is first of all a power,
its own power,
which continually must make its way forward, from night
into day, from transcending union always forward into difficult day.

And as the plane descends, it comes to me
in the space
where tears stream down across the stars,
tears fallen on the actual earth
where their shining is what we call spirit,
that once the lover
recognizes the other, knows for the first time
what is most to be valued in another,
from then on, love is very much like courage,
perhaps it is courage, and even
perhaps
only courage.
Squashed
out of old selves, smearing the darkness
of expectation across experience, all of us little
thinkers it brings home having similar thoughts
of landing to the imponderable world,
the transoceanic airliner,
resting its huge weight down, comes in almost lightly,
to where
with sudden, tiny, white puffs and long, black, rubberish smears
all its tires know the home ground. "

― Galway Kinnell

42 " Little Sleep's-Head Sprouting Hair
in the Moonlight

1
You scream, waking from a nightmare.

When I sleepwalk
into your room, and pick you up,
and hold you up in the moonlight, you cling to me
hard,
as if clinging could save us. I think
you think
I will never die, I think I exude
to you the permanence of smoke or stars,
even as
my broken arms heal themselves around you.

2
I have heard you tell
the sun, don't go down, I have stood by
as you told the flower, don't grow old,
don't die. Little Maud,

I would blow the flame out of your silver cup,
I would suck the rot from your fingernail,
I would brush your sprouting hair of the dying light,
I would scrape the rust off your ivory bones,
I would help death escape through the little ribs of your body,
I would alchemize the ashes of your cradle back into wood,
I would let nothing of you go, ever,

until washerwomen
feel the clothes fall asleep in their hands,
and hens scratch their spell across hatchet blades,
and rats walk away from the culture of the plague,
and iron twists weapons toward truth north,
and grease refuse to slide in the machinery of progress,
and men feel as free on earth as fleas on the bodies of men,
and the widow still whispers to the presence no longer beside her
in the dark.

And yet perhaps this is the reason you cry,
this the nightmare you wake screaming from:
being forever
in the pre-trembling of a house that falls.

3
In a restaurant once, everyone
quietly eating, you clambered up
on my lap: to all
the mouthfuls rising toward
all the mouths, at the top of your voice
you cried
your one word, caca! caca! caca!
and each spoonful
stopped, a moment, in midair, in its withering
steam.

Yes,
you cling because
I, like you, only sooner
than you, will go down
the path of vanished alphabets,
the roadlessness
to the other side of the darkness,
your arms
like the shoes left behind,
like the adjectives in the halting speech
of old folk,
which once could call up the lost nouns.

4
And you yourself,
some impossible Tuesday
in the year Two Thousand and Nine, will walk out
among the black stones
of the field, in the rain,

and the stones saying
over their one word, ci-gît, ci-gît, ci-gît,

and the raindrops
hitting you on the fontanel
over and over, and you standing there
unable to let them in.

5
If one day it happens
you find yourself with someone you love
in a café at one end
of the Pont Mirabeau, at the zinc bar
where wine takes the shapes of upward opening glasses,

and if you commit then, as we did, the error
of thinking,
one day all this will only be memory,

learn to reach deeper
into the sorrows
to come—to touch
the almost imaginary bones
under the face, to hear under the laughter
the wind crying across the black stones. Kiss
the mouth
that tells you, here,
here is the world. This mouth. This laughter. These temple bones.

The still undanced cadence of vanishing.

6
In the light the moon
sends back, I can see in your eyes
the hand that waved once
in my father's eyes, a tiny kite
wobbling far up in the twilight of his last look:

and the angel
of all mortal things lets go the string.

7
Back you go, into your crib.

The last blackbird lights up his gold wings: farewell.
Your eyes close inside your head,
in sleep. Already
in your dreams the hours begin to sing.

Little sleep's-head sprouting hair in the moonlight,
when I come back
we will go out together,
we will walk out together among
the ten thousand things,
each scratched in time with such knowledge, the wages
of dying is love. "

― Galway Kinnell

43 " Wait, for now.
Distrust everything if you have to.
But trust the hours. Haven’t they
carried you everywhere, up to now?
Personal events will become interesting again.
Hair will become interesting.
Pain will become interesting.
Buds that open out of season will become interesting.
Second-hand gloves will become lovely again;
their memories are what give them
the need for other hands. The desolation
of lovers is the same: that enormous emptiness
carved out of such tiny beings as we are
asks to be filled; the need
for the new love is faithfulness to the old.

Wait.
Don’t go too early.
You’re tired. But everyone’s tired.
But no one is tired enough.
Only wait a little and listen:
music of hair,
music of pain,
music of looms weaving our loves again.
Be there to hear it, it will be the only time,
most of all to hear your whole existence,
rehearsed by the sorrows, play itself into total exhaustion. "

― Galway Kinnell , Mortal Acts Mortal Words

44 " And yet perhaps this is the reason you cry,
this the nightmare you wake screaming from:
being forever
in the pre-trembling of a house that falls. "

― Galway Kinnell , The Book of Nightmares

45 " The Lord turned away washing
His hands without soap and water
Like a common housefly. "

― Galway Kinnell , A New Selected Poems

46 " Now is when the point of the story changes. "

― Galway Kinnell

47 " My tongue goes to the Secretary of the Dead
to tell the corpses, "I'm sorry, fellows,
the killing was just one of those things
difficult to pre-visualize - like a cow,
say, getting hit by lightning. "

― Galway Kinnell , A New Selected Poems

48 " Wait"

Wait, for now.
Distrust everything, if you have to.
But trust the hours. Haven’t they
carried you everywhere, up to now?
Personal events will become interesting again.
Hair will become interesting.
Pain will become interesting.
Buds that open out of season will become lovely again.
Second-hand gloves will become lovely again,
their memories are what give them
the need for other hands. And the desolation
of lovers is the same: that enormous emptiness
carved out of such tiny beings as we are
asks to be filled; the need
for the new love is faithfulness to the old.

Wait.
Don’t go too early.
You’re tired. But everyone’s tired.
But no one is tired enough.
Only wait a while and listen.
Music of hair,
Music of pain,
music of looms weaving all our loves again.
Be there to hear it, it will be the only time,
most of all to hear,
the flute of your whole existence,
rehearsed by the sorrows, play itself into total exhaustion. "

― Galway Kinnell , Mortal Acts Mortal Words

49 " Two Set Out on Their Journey

We sit side by side,
brother and sister, and read
the book of what will be, while a breeze
blows the pages over—
desolate odd, cheerful even,
and otherwise. When we come
to our own story, the happy beginning,
the ending we don’t know yet,
the ten thousand acts
encumbering the days between,
we will read every page of it.
If an ancestor has pressed
a love-flower for us, it will lie hidden
between pages of the slow going,
where only those who adore the story
ever read. When the time comes
to shut the book and set out,
we will take childhood’s laughter
as far as we can into the days to come,
until another laughter sounds back
from the place where our next bodies
will have risen and will be telling
tales of what seemed deadly serious once,
offering to us oldening wayfarers
the light heart, now made of time
and sorrow, that we started with. "

― Galway Kinnell

50 " Flower Herding On Mount Monadnock

In the forest I discover a flower.

The invisible life of the thing
Goes up in flames that are invisible,
Like cellophane burning in the sunlight.

It burns up. Its drift is to be nothing.

In its covertness it has a way
Of uttering itself in place of itself,
Its blossoms claim to float in the Empyrean,

A wrathful presence on the blur of the ground.

The appeal to heaven breaks off.
The petals begin to fall, in self-forgiveness.
It is a flower. On this mountainside it is dying. "

― Galway Kinnell

51 " How Could You Not - for Jane Kenyon

It is a day after many days of storms.
Having been washed and washed, the air glitters;
small heaped cumuli blow across the sky; a shower
visible against the firs douses the crocuses.

We knew it would happen one day this week.
Now, when I learn you have died, I go
to the open door and look across at New Hampshire
and see that there, too, the sun is bright
and clouds are making their shadowy ways along the horizon;

and I think: How could it not have been today?
In another room, Keri Te Kanawa is singing
the Laudate Dominum of Mozart, very faintly,
as if in the past, to those who once sat
in the steel seat of the old mowing machine,
cheerful descendent of the scythe of the grim reaper,

and drew the cutter bars little
reciprocating triangles through the grass
to make the stalks lie down in sunshine.
Could you have walked in the dark early this morning
and found yourself grown completely tired
of the successes and failures of medicine,
of your year of pain and despair remitted briefly
now and then by hope that had that leaden taste?

Did you glimpse in first light the world as you loved it
and see that, now, it was not wrong to die
and that, on dying, you would leave
your beloved in a day like paradise?

Near sunrise did you loosen your hold a little?
How could you not already have felt blessed for good,
having these last days spoken your whole heart to him,
who spoke his whole heart to you, so that in the silence
he would not feel a single word was missing?

How could you not have slipped into a spell,
in full daylight, as he lay next to you,
with his arms around you, as they have been,
it must have seemed, all your life?
How could your cheek not press a moment to his cheek,
which presses itself to yours from now on?
How could you not rise and go, with all that light
at the window, those arms around you, and the sound,
coming or going, hard to say, of a single-engine
plane in the distance that no one else hears? "

― Galway Kinnell

52 " The last memory I have
Is of a flower which cannot be touched,

Through the bloom of which, all day,
Fly crazed, missing bees.

from “Flower Herding on Mount Monadnock "

― Galway Kinnell , Flower Herding on Mount Monadnock

53 " When one has lived a long time alone,
one wants to live again among men and women,
to return to that place where one's ties with the human
broke, where the disquiet of death and now also
of history glimmers its firelight on faces,
where the gaze of the new baby looks past the gaze
of the great granny, and where lovers speak,
on lips blowsy from kissing, that language
the same in each mouth, and like birds at daybreak
blether the song that is both earth's and heaven's,
until the sun has risen, and they stand
in the daylight of being made one: kingdom come,
when one has lived a long time alone. "

― Galway Kinnell , When One Has Lived a Long Time Alone

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