4
" It is obvious that this violence was not only one’s Christian duty; it was also, for many, a thoroughly enjoyable way to spend an afternoon. Those carrying out the attacks sang as they smashed the ancient marble and roared with laughter as they destroyed statues. In Alexandria, ‘idolatrous’ images were taken from private houses and baths, then burned and mutilated in a jubilant public demonstration. Once the assault was complete, the Christians ‘all went off, praising God for the destruction of such error of demons and idolatry’. Broken statues themselves were another cause for hilarity, their fragmented remains an occasion for ‘laughter and scorn’. Chants appeared celebrating these attacks. Coptic pilgrims who visited the city of Hermopolis in Egypt could join with fellow faithful as they sang a local hymn to the destruction. The humorously apposite insult was much enjoyed by God’s warriors. In Carthage, there was an annual religious ceremony in which the beard of a statue of Hercules was ceremonially gilded; at the beginning of the fifth century some Christians mockingly ‘shaved’ the statue’s beard off. It was, for them, a moment of much hilarity. For the watching polytheists it was a desecration. "
― Catherine Nixey , The Darkening Age: The Christian Destruction of the Classical World
5
" Sometimes, as was the case with the bust of Aphrodite in Athens, the statues appear to have been ‘baptized’, with deep crosses gouged on their foreheads. If this was a ‘baptism’ then it may have helped not only to neutralize the devil within, but also to vanquish any more personal demons that could arise when looking at such beautiful naked figures. A naked statue of Aphrodite was, wrote one Christian historian in disgust, ‘more shameless than that of any prostitute standing in front of a brothel’ – and, like a prostitute, Aphrodite and her plump bottom and naked breasts might incite the demon of lust in the viewer. Far less easy to feel desire for a statue who has had a cross gouged in her head, her eyes blinded and her nose sliced from her face. Erotically appealing statues suffered more than chastely clothed ones. We can still see the consequences of this rhetoric. Today, a once-handsome Apollo missing a nose stands in this museum; a statue of Venus that stood in a bathhouse has had her nipples and mons pubis chiselled away; a statue of Dionysus has had his nose mutilated and his genitalia removed. "
― Catherine Nixey , The Darkening Age: The Christian Destruction of the Classical World
7
" The pages of history go silent. But the stones of Athens provide a small coda to the story of the seven philosophers. It is clear, from the archaeological evidence, that the grand villa on the slopes of the Acropolis was confiscated not long after the philosophers left. It is also clear that it was given to a new Christian owner. Whoever this Christian was, they had little time for the ancient art that filled the house. The beautiful pool was turned into a baptistery. The statues above it were evidently considered intolerable: the finely wrought images of Zeus, Apollo and Pan were hacked away. Mutilated stumps are now all that remain of the faces of the gods; ugly and incongruous above the still-delicate bodies. The statues were tossed into the well. The mosaic on the floor of the dining room fared little better. Its great central panel, which had contained another pagan scene, was roughly removed. A crude cross pattern, of vastly inferior workmanship, was laid in its place. The lovely statue of Athena, the goddess of wisdom, suffered as badly as the statue of Athena in Palmyra had. Not only was she beheaded she was then, a final humiliation, placed face down in the corner of a courtyard to be used as a step.
Over the coming years, her back would be worn away as the goddess of wisdom was ground down by generations of Christian feet. The ‘triumph’ of Christianity was complete. "
― Catherine Nixey , The Darkening Age: The Christian Destruction of the Classical World
8
" At the end of the first century of Christian rule, the Colosseum still dominated Rome and the Parthenon towered above Athens. Yet when writers of this period discuss architecture, these aren’t the buildings that impress them. Instead, their admiration is drawn by another structure in Egypt. This building was so fabulous that writers in the ancient world struggled to find ways to convey its beauty. ‘Its splendour is such that mere words can only do it an injustice,’ wrote the historian Ammianus Marcellinus. It was, another writer thought, ‘one of the most unique and uncommon sights in the world. For nowhere else on earth can one find such a building.’ Its great halls, its columns, its astonishing statues and its art all made it, outside Rome, ‘the most magnificent building in the whole world’. Everyone had heard of it. No one has heard of it now. While tourists still toil up to the Parthenon, or look in awe at the Colosseum, outside academia few people know of the temple of Serapis. That is because in AD 392 a bishop, supported by a band of fanatical Christians, reduced it to rubble. "
― Catherine Nixey , The Darkening Age: The Christian Destruction of the Classical World
9
" It was Hypatia’s fault, said the Christians, that the governor was being so stubborn. It was she, they murmured, who was standing between Orestes and Cyril, preventing them from reconciling. Fanned by the parabalani, the rumours started to catch, and flame. Hypatia was not merely a difficult woman, they said. Hadn’t everyone seen her use symbols in her work, and astrolabes? The illiterate parabalani (‘bestial men – truly abominable’ as one philosopher would later call them) knew what these instruments were. They were not the tools of mathematics and philosophy, no: they were the work of the Devil. Hypatia was not a philosopher: she was a creature of Hell. It was she who was turning the entire city against God with her trickery and her spells. She was ‘atheizing’ Alexandria. Naturally, she seemed appealing enough – but that was how the Evil One worked. Hypatia, they said, had ‘beguiled many people through satanic wiles’. Worst of all, she had even beguiled Orestes. Hadn’t he stopped going to church? It was clear: she had ‘beguiled him through her magic’. This could not be allowed to continue.
One day in March AD 415, Hypatia set out from her home to go for her daily ride through the city. Suddenly, she found her way blocked by a ‘multitude of believers in God’. They ordered her to get down from her chariot. Knowing what had recently happened to her friend Orestes, she must have realized as she climbed down that her situation was a serious one. She cannot possibly have realized quite how serious. As soon as she stood on the street, the parabalani, under the guidance of a Church magistrate called Peter – ‘a perfect believer in all respects in Jesus Christ’ – surged round and seized ‘the pagan woman’. They then dragged Alexandria’s greatest living mathematician through the streets to a church. Once inside, they ripped the clothes from her body then, using broken pieces of pottery as blades, flayed her skin from her flesh. Some say that, while she still gasped for breath, they gouged out her eyes. Once she was dead, they tore her body into pieces and threw what was left of the ‘luminous child of reason’ onto a pyre and burned her. "
― Catherine Nixey , The Darkening Age: The Christian Destruction of the Classical World
11
" The funds for all this had to be found from somewhere. Now, Constantine turned to ‘those accursed and foul people’ who had chosen to stubbornly ‘hold themselves back’ from Christianity and continue visiting their ‘sanctuaries of falsehood’ – in other words, those people who would soon be called ‘pagans’. The means by which Constantine chose to take some of this wealth was simple – and humiliating: he demanded that the statues be taken from the temples. Christian officials, so it was said, travelled the empire, ordering the priests of the old religion to bring their statues out of the temples. From the 330s onwards some of the most sacred objects in the empire started to be removed. It is hard, today, to understand the enormity of Constantine’s order. If Michelangelo’s Pietà were taken from the Vatican and sold, it would be considered a terrible act of cultural vandalism – but it wouldn’t be sacrilege as the statue is not in itself sacred. Statues in Roman temples were. To remove them was a gross violation, and Constantine knew it. "
― Catherine Nixey , The Darkening Age: The Christian Destruction of the Classical World
12
" By the time Theophilus attacked Serapis the laws were on his side. But many other Christians were so keen to attack the demonic temples that they didn’t wait for legal approval. Decades before the laws of the land permitted them to, zealous Christians began to indulge in acts of violent vandalism against their ‘pagan’ neighbours. The destruction in Syria was particularly savage. Syrian monks – fearless, rootless, fanatical – became infamous both for their intensity and for the violence with which they attacked temples, statues and monuments – and even, it was said, any priests who opposed them.
Libanius, the Greek orator from Antioch, was revolted by the destruction that he witnessed. ‘These people,’ he wrote, ‘hasten to attack the temples with sticks and stones and bars of iron, and in some cases, disdaining these, with hands and feet. Then utter desolation follows, with the stripping of roofs, demolition of walls, the tearing down of statues, and the overthrow of altars, and the priests must either keep quiet or die . . . So they sweep across the countryside like rivers in spate.’ Libanius spoke elegiacally of a huge temple on the frontier with Persia, a magnificent building with a beautiful ceiling, in whose cool shadows had stood numerous statues. Now, he said, ‘it is vanished and gone, to the grief of those who had seen it’ – and the grief of those who now never would. This temple had been so striking, he said, that there were even those who argued that it was as great as the temple of Serapis – which, he added with an irony not lost on later historians, ‘I pray may never suffer the same fate. "
― Catherine Nixey , The Darkening Age: The Christian Destruction of the Classical World
14
" If any locals had seen the dark-robed group as they moved through the darkness they might well have felt the stirrings of fear. Monks – anonymous, rootless, untraceable – were able to commit atrocities with near impunity. ‘Our angels’ some Christians called them. Rubbish, said non-Christians. They were not angels but ignorant, boorish thugs, men in appearance only who ‘led the lives of swine, and openly did and allowed countless unspeakable crimes’. As the author Eunapius wrote with sardonic distaste: ‘in those days every man who wore a black robe and consented to behave in unseemly fashion in public, possessed the power of a tyrant, to such a pitch of virtue had the human race advanced!’ Even a wholeheartedly Christian emperor mutedly observed that ‘the monks commit many crimes’. And on that night, these monks were about to commit another. Shenoute’s target was not, this time, one of his monks but one of the wicked, godless pagans. In sermon after furious sermon Shenoute had turned his famously fiery prose on these people. Their hearts were ‘the nests of the spirits of wickedness’. If disturbed then these evil people would spit out poison. The Bible, Shenoute told his congregants, said that those who set up pagan images should be killed. As he put it in one particularly vigorous sermon, God wished His people to ‘remove the abominations from His presence’. The emperors, Shenoute thundered, had declared that the entire earth must be cleansed of perversions. No stone was to be left on top of any other stone of any pagan temple. Not one. In the entire earth. "
― Catherine Nixey , The Darkening Age: The Christian Destruction of the Classical World
15
" The old laissez-faire Roman ways, in which the worship of one god might simply be added to the worship of all the others, were, preachers told their congregations, no longer acceptable. Worship a different god, they explained, and you were not merely being different. You were demonic. Demons, said the clerics, dwelt in the minds of those who practised the old religions. Those who criticized Christianity, warned the Christian apologist Tertullian, were not speaking with a free mind. Instead, they were attacking the Christians because they were under the control of Satan and his footsoldiers. The ‘battleground’ of these fearsome troops was nothing other than ‘your minds, which have been attuned to him by his secret insinuations’. Demons were able to ‘take possession of men’s souls and block up their hearts’ and so stop them believing in Christ. "
― Catherine Nixey , The Darkening Age: The Christian Destruction of the Classical World
17
" [W]hat befell the philosophers in AD 529 was not just one single law but a staccato burst of legal aggression issued by Justinian. ‘Your Clemency . . . the Glorious and Indulgent’ Justinian is how laws of this period referred to him. Justinian’s reverence, the legal code of the time announced, shone out ‘as a specially pure light, like that of a star’, while Justinian himself was referred to as ‘Your Holiness’; the ‘Glorious emperor’.
There was little glorious or indulgent about what was coming. And there was certainly nothing that was clement. This was the end. The ‘impious and wicked pagans’ were to be allowed to continue in their ‘insane error’ no longer. Anyone who refused salvation in the next life would, from now on, be all but damned in this one. A series of legal hammer blows fell: anyone who offered sacrifice would be executed. Anyone who worshipped statues would be executed. Anyone who was baptized – but who then continued to sacrifice – they, too, would be executed. The laws went further. This was no longer mere prohibition of other religious practices. It was the active enforcement of Christianity on every single, sinful pagan in the empire. The roads to error were being closed, forcefully. Everyone now had to become Christian. Every single person in the empire who had not yet been baptized now had to come forward immediately, go to the holy churches and ‘entirely abandon the former error [and] receive saving baptism’. Those who refused would be stripped of all their property, movable and immovable, lose their civil rights, be left in penury and, ‘in addition’ – as if what had gone before was not punishment but mere preamble, they would be ‘subject to the proper punishment’. If any man did not immediately hurry to the ‘holy churches’ with his family and force them also to be baptized, then he would suffer all of the above – and then he would be exiled. The ‘insane error’ of paganism was to be wiped from the face of the earth. "
― Catherine Nixey , The Darkening Age: The Christian Destruction of the Classical World
18
" Many treated his sudden conversion to Christianity with profound suspicion and more than a little distaste. This man of ‘evil disposition’ and ‘vicious inclinations’ had converted, wrote one non-Christian historian, not because of any burning heavenly crosses but because, having recently murdered his wife (he had – allegedly – boiled her in a bath because of a suspected affair with his son), he had been overcome by guilt. Yet the priests of the old gods were intransigent: Constantine was far too polluted, they said, to be purified of these crimes. No rites could cleanse him. At this moment of personal crisis Constantine happened to fall into conversation with a man who assured him that ‘the Christian doctrine would teach him how to cleanse himself from all his offences, and that they who received it were immediately absolved from all their sins’. Constantine, it was said, instantly believed. "
― Catherine Nixey , The Darkening Age: The Christian Destruction of the Classical World
19
" Out of all the froth and fury that was being issued from the government at the time, one law would become infamous for the next 1,500 years. Read this law and, in comparison to some of Justinian’s other edicts, it sounds almost underwhelming. Filed under the usual dull bureaucratic subheading, it is now known as ‘Law 1.11.10.2’. ‘Moreover,’ it reads, ‘we forbid the teaching of any doctrine by those who labour under the insanity of paganism’ so that they might not ‘corrupt the souls of their disciples.’ The law goes on, adding a finicky detail or two about pay, but largely that is it. Its consequences were formidable. This was this law that forced Damascius and his followers to leave Athens. It was this law that caused the Academy to close. It was this law that led the English scholar Edward Gibbon to declare that the entirety of the barbarian invasions had been less damaging to Athenian philosophy than Christianity was. This law’s consequences were described more simply by later historians. It was from this moment, they said, that a Dark Age began to descend upon Europe. "
― Catherine Nixey , The Darkening Age: The Christian Destruction of the Classical World
