Home > Work > Kissing the Hag: The Dark Goddess and the Unacceptable Nature of Women
1 " Round-bottomed, soft-bellied, irrational, magical, too caring, too carefree, proudly demanding, unfettered by dependence, sexually unashamed, hairy, hungry, unpredictable, silently present, intangibly distant, ceaselessly gossipy, alarmingly uninhibited, seething with potential, incomprehensible, altogether unfathomable, dangerous and deliciously powerful, she is the hag. She bleeds. She laughs so hard her belly shakes, she snorts and farts. She is the dark side of woman, the inside, the raw side beneath the surface skin we are taught so well to cleanse and tone and remedy with paint. She is the woman whose self-expression is not quite under control. Mysterious, intuitive, emotional, curvaceous, lustful, needy, selfish, natural and free, she is the me we long to - but know we shouldn’t - reveal. Feeling "
― Emma Restall Orr , Kissing the Hag: The Dark Goddess and the Unacceptable Nature of Women
2 " For the woman who has not hidden the hag within herself, that darkness at the centre of the soul is a magical sanctuary. In Druidry, we speak of it as a nemeton deep within the soul, a place of exquisite peace and natural healing. Indeed, it is often referred to as a great dark cauldron; it is only when a woman is able to sit, balanced and grounded, upon the three feet of that inner cauldron, that she is able to find the strength of her soul’s creativity, an ancient and bottomless pot containing that infinite universal darkness, this is the great cauldron of myth and legend, and mumbling beside it is her inner hag who, like Cerridwen, the old witch goddess of the sickle moon, stirs her brew of transformative inspiration. "