142
" Ascoltavo abitualmente Musical Caravan, lo show di Bill Cook, il sabato sera nella mia stanza buia. Il tema introduttivo era Caravan di Ellington, ritmi afro-orientali molto esotici, molto sofisticati, una cadenza da danza del ventre sulla quale, da sola, valeva la pena di sintonizzarsi; Caravan, nell'interpretazione del Duke, mi faceva sentire piacevolmente nell'illecito anche quando me ne stavo rannicchiato tra le lenzuola fresche di bucato di mia madre. "
― Philip Roth , American Pastoral (The American Trilogy, #1)
147
" Not even when everything was on top of him, not even when giving everyone what they needed from him at the factory and everyone what they needed from him at home—dealing promptly with the suppliers’ screw-ups, with the union’s exactions, with the buyers’ complaints; contending with an uncertain marketplace and all the overseas headaches; attending, on demand, to the importuning of a stuttering child, an independent-minded wife, a putatively retired, easily riled-up father—did it occur to him that this relentlessly impersonal use of himself might one day wear him down. He did not think like that any more than the ground under his feet thought like that. He seemed never to understand or, even in a moment of fatigue, to admit that his limitations were not entirely loathsome and that he was not himself a one-hundred-and-seventy-year-old stone house, its weight borne imperturbably by beams carved of oak—that he was something more transitory and mysterious. "
― Philip Roth , American Pastoral (The American Trilogy, #1)
