1
" And thank goodness Jane did not meet in real life an Edmund Bertram, or a Mr Knightley, because if she had married she would doubtless, like her niece Anna, have produced human rather then paper progeny. So – for their failures of courage or determination – we can, must, give thanks to Charles Powlett, who wanted to kiss Jane when she was twenty; to Tom Lefroy, seen off by Madam Lefroy; to the talkative Reverend Samuel Blackall; to the silent Harris Bigg-Wither; to the Reverend Edward Bridges; to Robert Holt-Leigh, the dodgy MP who flirted with Jane in 1806; and to William Seymour, her brother Henry’s lawyer, who failed to ask Jane to marry him as they travelled in that carriage. "
― Lucy Worsley , Jane Austen at Home
6
" Jane, in fact, mothered these girls, and her fiction reveals her belief that motherhood could be a social, not a biological function.4 Blood mothers may be ridiculous or ill-advised, like Mrs Bennet or Mrs Dashwood, but mothers in the form of mentors are often wise, generous, caring. Mrs Gardiner, her aunt, gives Lizzy Bennet better advice than Mrs Bennet does, while Emma Woodhouse has a fine surrogate in the shape of Mrs Weston. In this sense, Fanny and Anna were Jane’s own children. "
― Lucy Worsley , Jane Austen at Home
10
" all of Jane’s heroines will marry for love and nothing else. Of course their suitors come with material advantages, and no one chooses foolishly, but what it really comes down to, for Catherine Morland, Elinor Dashwood, Lizzy Bennet, Fanny Price, Emma Woodhouse and Anne Elliot, is finding the right man. Or … so you think at first. Jane’s novels are celebrated for the new meanings you pick up each time you reread them. And when Jane approaches the moment when her heroines must marry, it is possible to argue that something a little strange happens to her storytelling. Yes, this is a highly contentious suggestion, but bear with me. If you look at the exact moments where love is brought to a climax, and matches are made, you may find them a little abrupt, almost perfunctory. We don’t hear Emma Woodhouse accepting Mr Knightley’s proposal, we don’t see Edmund falling in love with Fanny Price. And in the very final paragraph of Mansfield Park, the object of Fanny’s affections, like Charlotte Lucas’s, is defined as a house. It was Mansfield Parsonage that she now finds ‘as dear to her heart’ as anything.24 Perhaps Jane treated these events lightly, almost mechanically, because she didn’t really believe that a man, on his own, could bring a happy ending. So, if there is even a smidgeon of possibility that Jane herself might choose to marry a house, "
― Lucy Worsley , Jane Austen at Home
