Home > Work > William Gaddis
1 " the art critic Crémer reminds Wyatt of Degas’s remark “that the artist must approach his work in the same frame of mind in which the criminal commits his deed "
― Steven Moore , William Gaddis
2 " —I envy Christ, he had a disease named after him "
3 " Esme discovers the earrings and dons them, but Wyatt has already spurned her by that point. Not until the last page on which he appears does he realize the importance of the earrings; by intending to pass them along to his daughter, he demonstrates his recognition of the emotions and especially the strongest, most liberating emotion of all, love.46 Not the sentimental love of romantics, nor the lust of sensualists: the kind of love Wyatt embraces is less eros than agapē—charity, attentiveness, caring. “—Charity’s the challenge” Wyatt had admitted earlier (383), but not until the end of the novel is he psychologically prepared to commit himself to this challenge. It is crucial to note that the Augustinian motto Wyatt chooses reads “Dilige et quod vis fac” (“Love, and do what you want to” [899]), not the more popular form “Amo et fac quod vis”—that is, Wyatt prefers the verb meaning “to esteem and care for” over that meaning “to love passionately.”47 This is the kind of love recommended in Eliot’s Four Quartets; for Wyatt it represents a new beginning, not an end, for as Eliot argues, this form of love never ceases to be a challenge. "
4 " It was a forged Titian that somebody had painted over another old painting, when they scraped the forged Titian away they found some worthless old painting underneath it, the forger had used it because it was an old canvas. But then there was something under that worthless painting, and they scraped it off and underneath that they found a Titian, a real Titian that had been there all the time. It was as though when the forger was working, and he didn’t know the original was underneath, I mean he didn’t know he knew it, but it knew, I mean something knew. I mean, do you see what I mean? That underneath that the original is there, that the real … thing is there, and on the surface you … if you can only … see what I mean? (450 "