3
" Wolf, as he watched her, felt weak, despicable, faltering. He felt like a finical attendant watching the splendid fury of some Sophoclean heroine. He became aware that her anger leaped up from some incalculable crevasse in the rock crust of the universe, such as he himself had never approached. The nature of her feelings, its directness, its primordial simplicity, reduced his own emotion to something ridiculous. She towered above him there with that grand convulsed face and those expanded breasts; while her fine hands, clutching at her belt, seemed to display a wild desire to strip naked before him, to overwhelm him with the wrath of her naked maternal body, bare to the outrage of his impiety. "
― John Cowper Powys , Wolf Solent
6
" The first thing he did was to attempt to analyse a mental device he was in the habit of resorting to - a device that supplied him with the secret substratum of his whole life. This was a certain trick he had of doing what he called 'sinking into his soul’. This trick had been a furtive custom with him from very early days. In his childhood his mother had often rallied him about it in her light-hearted way, and had applied to these trances, or these fits of absent-mindedness, an amusing but rather indecent nursery name. His father, on the other hand, had encouraged him in these moods, taking them very gravely, and treating him, when under their spell, as if he were a sort of infant magician.
It was, however, when staying in his grandmother's house at Weymouth that the word had come to him which he now always used in his own mind to describe these obsessions. It was the word ‘mythology’ ; and he used it entirely in a private sense of his own. "
― John Cowper Powys , Wolf Solent
9
" It always gave Wolf a peculiar thrill thus to tighten his grip upon his stick, thus to wrap himself more closely in his faded overcoat. Objects of this kind played a queer part in his secret life-illusion. His stick was like a plough-handle, a ship's runner, a gun, a spade, a sword, a spear. His threadbare overcoat was like a medieval jerkin, like a monk's habit, like a classic toga! It gave him a primeval delight merely to move one foot in front of the other, merely to prod the ground with his stick, merely to feel the flapping of his coat about his knees, when this mood predominated. It always associated itself with his consciousness of the historic continuity---so incredibly charged with marvels of dreamy fancy---of human beings moving to and fro across the earth. It associated itself, too, with his deep, obstinate quarrel with modern inventions, with modern machinery.... "
― John Cowper Powys , Wolf Solent
