147
" THE SUMMER was coming to an end. The Jewish year was almost over. On the eve of Rosh Hashanah, the last day of that cursed year, the entire camp was agitated and every one of us felt the tension. After all, this was a day unlike all others. The last day of the year. The word “last” had an odd ring to it. What if it really were the last day? The evening meal was distributed, an especially thick soup, but nobody touched it. We wanted to wait until after prayer. On the Appelplatz, surrounded by electrified barbed wire, thousands of Jews, anguish on their faces, gathered in silence. Night was falling rapidly. And more and more prisoners kept coming, from every block, suddenly able to overcome time and space, to will both into submission. What are You, my God? I thought angrily. How do You compare to this stricken mass gathered to affirm to You their faith, their anger, their defiance? What does Your grandeur mean, Master of the Universe, in the face of all this cowardice, this decay, and this misery? Why do you go on troubling these poor people’s wounded minds, their ailing bodies? SOME "
― Elie Wiesel , Night (The Night Trilogy, #1)
148
" Blessed be God’s name …” Thousands of lips repeated the benediction, bent over like trees in a storm. Blessed be God’s name? Why, but why would I bless Him? Every fiber in me rebelled. Because He caused thousands of children to burn in His mass graves? Because He kept six crematoria working day and night, including Sabbath and the Holy Days? Because in His great might, He had created Auschwitz, Birkenau, Buna, and so many other factories of death? How could I say to Him: Blessed be Thou, Almighty, Master of the Universe, who chose us among all nations to be tortured day and night, to watch as our fathers, our mothers, our brothers end up in the furnaces? Praised be Thy Holy Name, for having chosen us to be slaughtered on Thine altar? I listened as the inmate’s voice rose; it was powerful yet broken, amid the weeping, the sobbing, the sighing of the entire “congregation”: “All "
― Elie Wiesel , Night (The Night Trilogy, #1)
149
" Comrades, you’re in the concentration camp of Auschwitz. There’s a long road of suffering ahead of you. But don’t lose courage. You’ve already escaped the gravest danger: selection. So now, muster your strength, and don’t lose heart. We shall all see the day of liberation. Have faith in life. Above all else, have faith. Drive out despair, and you will keep death away from yourselves. Hell is not for eternity. And now, a prayer – or rather, a piece of advice: let there be comradeship among you. We are all brothers, and we are all suffering the same fate. The same smoke floats over all our heads. Help one another. It is the only way to survive. …Good night.”
The first human words. "
― Elie Wiesel , Night (The Night Trilogy, #1)
156
" Yes, man is stronger, greater than God. When Adam and Eve deceived You, You chased them from paradise. When You were displeased by Noah’s generation, You brought down the Flood. When Sodom lost Your favor, You caused the heavens to rain down fire and damnation. But look at these men whom You have betrayed, allowing them to be tortured, slaughtered, gassed, and burned, what do they do? They pray before You! They praise Your name! "
― Elie Wiesel , Night (The Night Trilogy, #1)
159
" He was trying to sleep. Could one fall asleep here? Wasn’t it dangerous to lower one’s guard, even for a moment, when death could strike at any time? Those were my thoughts when I heard the sound of a violin. A violin in a dark barrack where the dead were piled on top of the living? Who was this madman who played the violin here, at the edge of his own grave? Or was it a hallucination? It had to be Juliek. He was playing a fragment of a Beethoven concerto. Never before had I heard such a beautiful sound. In such silence. How had he succeeded in disengaging himself? To slip out from under my body without my feeling it? The darkness enveloped us. All I could hear was the violin, and it was as if Juliek’s soul had become his bow. He was playing his life. His whole being was gliding over the strings. His unfulfilled hopes. His charred past, his extinguished future. He played that which he would never play again. I shall never forget Juliek. How could I forget this concert given before an audience of the dead and dying? Even today, when I hear that particular piece by Beethoven, my eyes close and out of the darkness emerges the pale and melancholy face of my Polish comrade bidding farewell to an audience of dying men. I don’t know how long he played. I was overcome by sleep. When I awoke at daybreak, I saw Juliek facing me, hunched over, dead. Next to him lay his violin, trampled, an eerily poignant little corpse. "
― Elie Wiesel , Night (The Night Trilogy, #1)