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2 " The attitude of the average decent person towards the classics of his own tongue is one of distrust... I will take, for an example, Sir Thomas Browne, as to whom the average person has no offensive juvenile memories. He is bound to have read somewhere that the style of Sir Thomas Browne is unsurpassed by anything in English literature. One day he sees the Religio Medici in a shop-window (or, rather, outside a shop-window, for he would hesitate about entering a bookshop), and he buys it, by way of a mild experiment. He does not expect to be enchanted by it; a profound instinct tells him that Sir Thomas Browne is “not in his line”; and in the result he is even less enchanted than he expected to be. He reads the introduction, and he glances at the first page or two of the work. He sees nothing but words. The work makes no appeal to him whatever. He is surrounded by trees, and cannot perceive the forest. He puts the book away. If Sir Thomas Browne is mentioned, he will say, “Yes, very fine!” with a feeling of pride that he has at any rate bought and inspected Sir Thomas Browne. Deep in his heart is a suspicion that people who get enthusiastic about Sir Thomas Browne are vain and conceited poseurs. After a year or so, when he has recovered from the discouragement caused by Sir Thomas Browne, he may, if he is young and hopeful, repeat the experiment with Congreve or Addison. Same sequel! And so on for perhaps a decade, until his commerce with the classics finally expires! That, magazines and newish fiction apart, is the literary history of the average decent person. "

Arnold Bennett , الذوق الأدبي: كيف يتكون