32
" THOMAS JEFFERSON LEFT POSTERITY an immense correspondence, and I am particularly indebted to The Papers of Thomas Jefferson, published by Princeton University Press and first edited by Julian P. Boyd. I am, moreover, grateful to the incumbent editors of the Papers, especially general editor Barbara B. Oberg, for sharing unpublished transcripts of letters gathered for future volumes. The goal of the Princeton edition was, and continues to be, “to present as accurate a text as possible and to preserve as many of Jefferson’s distinctive mannerisms of writing as can be done.” To provide clarity and readability for a modern audience, however, I have taken the liberty of regularizing much of the quoted language from Jefferson and from his contemporaries. I have, for instance, silently corrected Jefferson’s frequent use of “it’s” for “its” and “recieve” for “receive,” and have, in most cases, expanded contractions and abbreviations and followed generally accepted practices of capitalization. "
― Jon Meacham , Thomas Jefferson: The Art of Power
37
" At a quarter to twelve on that Friday, Patty Jefferson died. In the final moments, Jefferson’s sister Martha Carr had to help the grieving husband from his wife’s bedside.13 He was, his daughter recalled, “in a state of insensibility” when Mrs. Carr “with great difficulty, got him into the library, where he fainted”—and not for a brief moment. Jefferson “remained so long insensible that they feared he would never revive.” When he did come to, he was incoherent with grief, and perhaps surrendered to rage. There is a hint that he lost all control in the calamity of Patty’s death. According to his daughter Patsy, “The scene that followed I did not witness”—presumably “the scene” unfolded in the library when he revived—“but the violence of his emotion, when, almost by stealth, I entered his room by night, to this day I dare not describe to myself.”14 (Patsy was writing half a century later.) A "
― Jon Meacham , Thomas Jefferson: The Art of Power
39
" He was in love with France before he even reached Paris. Jefferson’s work in Europe offered him a new battlefield in the war for American union and national authority that he had begun in the Congress. His sojourn in France is often seen as a revolutionary swoon during which he fell too hard for the foes of monarchy, growing overly attached to—and unhealthily admiring of—the French Revolution and its excesses. Some of his most enduring radical quotations, usually considered on their own with less appreciation of the larger context of Jefferson’s decades-long political, diplomatic, and philosophical careers, date from this era. His relationship to France and to the French, however, should be seen for what it was: a political undertaking in which Jefferson put the interests of America first. He was determined to create a balance of global power in which France would help the United States resist commercial and possible military threats from the British.5 From the ancien régime of Louis XVI and Marie-Antoinette to the French Revolution to the Age of Napoleon, Jefferson viewed France in the context of how it could help America on the world stage.6 Much of Jefferson’s energy was spent striving to create international respect for the United States and to negotiate commercial treaties to build and expand American commerce and wealth. His mind wandered and roamed and soared, but in his main work—the advancement of America’s security and economic interests—he was focused and clear-headed. Countries earned respect by appearing strong and unified. Jefferson wanted America to be respected. He, therefore, took care to project strength and a sense of unity. The cause of national power required it, and he was as devoted to the marshaling of American power in Paris as he had been in Annapolis. E "
― Jon Meacham , Thomas Jefferson: The Art of Power
