2
" It is when one begins to lose the consciousness of freedom, and when the idea of necessity enters the world at all, when there is any hurry or strain anywhere, a letter to be written or a train to catch, when you have got to work, to make the horses of the dream gallop, or to make the rifles go off, that the dream is declining, and turning into the nightmare, which belongs to the poorest and most vulgar class of dreams. "
― , Out of Africa
3
" People who dream when they sleep at night know of a special kind of happiness which the world of the day holds not, a placid ecstasy, and ease of heart, that are like honey on the tongue. They also know that the real glory of dreams lies in their atmosphere of unlimited freedom. It is not the freedom of the dictator, who enforces his own will on the world, but the freedom of the artist, who has no will, who is free of will. The pleasure of the true dreamer does not lie in the substance of the dream, but in this: that there things happen without any interference from his side, and altogether outside his control. Great landscapes create themselves, long splendid views, rich and delicate colours, roads, houses, which he has never seen or heard of... "
― , Out of Africa
4
" Within this enclosed women's world, so to say, behind the walls and fortifications of it, I felt the presence of a great ideal, without which the garrison would not have carried on so gallantly; the idea of a Millennium when women were to reign supreme in the world. The old mother at such times would take on a new shape, and sit enthroned as a massive dark symbol of that mighty female deity who had existed in old ages, before the time of the prophet's God. Of her they never lost sight, but they were, before all, practical people with an eye on the needs of the moment and with infinite readiness of resource. "
― Karen Blixen , Out of Africa
9
" The ideas of justice of Europe and Africa are not the same and those of the one world are unbearable to the other. To the African there is but one way of counter-balancing the catastrophes of existence, it shall be done by replacement; he does not look for the motive of an action. Whether you lie in wait for your enemy and cut his throat in the dark; or you fell a tree, and a thoughtless stranger passes by and is killed; so far as punishment goes, to the Native mind, it is the same thing. A loss has been brought upon the community and must be made up for, somewhere, by somebody. The Native will not give time or thought to the weighing of guilt or desert; either he fears that this may lead him too far, or he reasons that such things are no concerns of his. But he will devote himself, in endless speculations, to the method by which crime or disaster shall be weighed up in sheep and goats - time does not count to him; he leads you solemnly into a sacred maze of sophistry. "
― , Out of Africa
15
" I had now also got to deal with the fate of my horses and my dogs... In the end I decided to give them to my friends.
I rode in to Nairobi on my favourite horse, Rouge, going very slowly and looking round to the North, and the South. It was a very strange thing to Rouge, I thought, to be going in by the Nairobi road, and not to be coming back. I installed him, with some trouble, in the horse-van of the Naivasha train, I stood in the van and felt, for the last time, his silky muzzle against my hands and my face. I will not let thee go, Rouge, except thou bless me. We had found together the riding-path down to the river amongst the Native shambas and huts, on the steep slippery descent he had walked as nimbly as a mule, and in the brown running river-water I had seen my own head and his close together. May you now, in a valley of clouds, eat carnations to the right and stock to the left. "
― Isak Dinesen (Karen Blixen), , Out of Africa
