101
" Perspective.’ He nodded and swung an arm out over his property. ‘You see that tree. Just beyond the tennis courts.’ I could hardly miss it. A gnarled old monster taller than the house, casting shade over an area the size of a tennis court in itself. I nodded. ‘That tree is over seven hundred years old. When I bought this property, I hired a design engineer and he wanted to chop it down. He was planning to build the house further up the rise and the tree was spoiling the sea view. I sacked him.’ Bancroft turned to make sure his point was getting across. ‘You see, Mr Kovacs, that engineer was a man in his thirties, and to him the tree was just an inconvenience. It was in his way. The fact it had been part of the world for over twenty times the length of his own life didn’t seem to bother him. He had no respect.’ ‘So you’re the tree.’ ‘Just so,’ said Bancroft equably. ‘I am the tree. The police would like to chop me down, just like that engineer. I am inconvenient to them, and they have no respect. "
― Richard K. Morgan , Altered Carbon (Takeshi Kovacs, #1)
113
" But this was worse than personal. This was about Louise, alias Anemone, cut up on a surgical platter, about Elizabeth Elliott stabbed to death and too poor to be resleeved, Irene Elliott, weeping for a body that a corporate rep wore on alternate months, Victor Elliott, whiplashed between loss and retrieval of someone who was and yet was not the same woman. This was about a young black man facing his family in a broken-down, middle-aged white body; it was about Virginia Vidaura walking disdainfully into storage with her head held high and a last cigarette polluting lungs she was about to lose, no doubt to some other corporate vampire. It was about Jimmy de Soto, clawing his own eye out in the mud and fire at Innenin, and the millions like him throughout the Protectorate, painfully gathered assemblages of individual human potential, pissed away into the dung heap of history. For all these, and more, someone was going to pay. "
― Richard K. Morgan , Altered Carbon (Takeshi Kovacs, #1)
114
" The man in front of me was different. His frame was that of a Caucasian Nordic, topping mine by nearly thirty centimeters, but the face was at odds. It began African, broad and deep ebony, but the color ended like a mask under the eyes, and the lower half was divided along the line of the nose, pale copper on the left, corpse white on the right. The nose was both fleshy and aquiline and mediated well between the top and bottom halves of the face, but the mouth was a mismatch of left and right sides that left the lips peculiarly twisted. Long straight black hair was combed manelike back from the forehead, shot through on one side with pure white. The hands, immobile on the metal table, were equipped with claws similar to the ones I’d seen on the giant Freak Fighter in Licktown, but the fingers were long and sensitive. He had breasts, impossibly full on a torso so overmuscled. The eyes, set in jet skin, were a startling pale green. Kadmin had freed himself from conventional perceptions of the physical. In an earlier age, he would have been a shaman; here, the centuries of technology had made him more. An electronic demon, a malignant spirit that dwelled in altered carbon and emerged only to possess flesh and wreak havoc. "
― Richard K. Morgan , Altered Carbon (Takeshi Kovacs, #1)
115
" Just as a primitive sextant functions on the illusion that the sun and stars rotate around the planet we are standing on, our senses give us the illusion of stability in the universe, and we accept it, because without that acceptance, nothing can be done. Virginia Vidaura, pacing the seminar room, lost in lecture mode. But the fact that a sextant will let you navigate accurately across an ocean does not mean that the sun and stars do rotate around us. For all that we have done, as a civilization, as individuals, the universe is not stable, nor is any single thing within it. Stars consume themselves, the universe itself rushes apart, and we ourselves are composed of matter in constant flux. Colonies of cells in temporary alliance, replicating and decaying, and housed within, an incandescent cloud of electrical impulse and precariously stacked carbon code memory. This is reality, this is self-knowledge, and the perception of it will, of course, make you dizzy. "
― Richard K. Morgan , Altered Carbon (Takeshi Kovacs, #1)