Home > Work > The Armies of Memory (Giraut, #4)
1 " A prepared mind is always made up; it knows what it thinks and why it thinks that. When it's time to change, it just makes itself up a different way. A really made-up mind--made up properly, knowing what it knows and on what basis it knows it--is open. People close an undecided mind because they're trying to protect those sore uncertainties from getting bumped and scraped. "
― John Barnes , The Armies of Memory (Giraut, #4)
2 " A song is not a tool for changing a human heart in the way that a wrench is a tool for changing a bolt, but it was the tool I had, and I was the tool the OSP had. The cansos in "Songs from Underneath" were not really as subtle as a wrench. Their primary trope was the ancient trick of making the viewpoint character a victim of oppression, because people identify passionately with a strong viewpoint character, and there is intense pleasure in identifying with the narrator of a sad story or song. In "Black Beauty" that trick had made people begin to think that beating horses was bad; it was the trope that make privileged white children burn with outrage at "Native Son" and prudes weep over prostitutes in "Elle frequentait la rue Pigalle" and "My Name is Not Bitch." They also received, at no extra cost, the delicious smug superiority of sympathizing with an underdog, unlike their less-enlightened neighbors.Their primary "
