29
" The narrow bed with its purple, red, and green quilt, the bedside table with its jar of rocks, piled books. The porcelain basin near the window where she washed her face, the pitcher with the brown rose painted on it, the large crack like a vein in the bottom of the basin. The apricot orchard, the buzzing bees like a haze in spring. The barn—the smell of hay and manure, grease, old leather. The sun streaming through the slats. The mule’s nose in her palm. "
― Amanda Coplin , The Orchardist
30
" It was not the presents laid out on the bed, or the airing of, the constant fussing over, his suit. Not the slow, deliberate polishing of his good shoes, and wrapping them, for safety, in a paper bag. She was only a little wary of these things. Suspicious. But what she feared most were his silences. The times when she felt him prepare to speak, but ultimately falter. Turn away. The leagues, which his eyes revealed at times, of what he did not say. "
― Amanda Coplin , The Orchardist
31
" They had heard that many, many miles away, but not so many as before they started, on the other side of the mountains, was the ocean. Constant rain. Greenness. Maybe that's where they were going, thought Talmadge. Sometimes--but how could he think this? how could a child think this of his mother?--he thought she was leading them to their deaths. Their mother was considered odd by the other women at the mining camp; he knew this, he knew how they talked about her. But there was nothing really wrong with her, he thought (forgetting the judgement of a moment before); it was just that she wanted different things than those women did. That was what set them and his mother apart. Where some women wanted mere privacy, she yearned for complete solitude that verged on the violent; solitude that forced you constantly back upon yourself; even when you did not want it anymore. But she wanted it nonetheless. From the time she was a small girl, she wanted to be alone. The sound of other people's voiced grated on her: to travel to town, to interact with others who were not Taldmadge or Talmadge's father or sister, was torture to her: it subtracted days from her life. And so they walked: to find a place that would absorb and annihilate her, a place to be her home, and the home for her children. A place to show her children, you belong to the earth, and the earth is hard. "
― Amanda Coplin , The Orchardist
34
" In April the true labor began. He rose before dawn and was at work in the trees as the sun rose. On a ladder, with his shears, maneuvering into the farthest reaches of the understories. At times whistling, at times muttering to himself. But mostly silent. Always working in that calm, deliberate way that made it impossible to imagine that he would ever complete the row, not to mention the entire orchard, in time. How could he afford to be so careful? It's that it was just possible, but barely. The design, the organization he achieved in the rows, in each tree, pleased him like nothing else. It was his passion, his whole life. "
― Amanda Coplin , The Orchardist
40
" The other chief love- and how similar it was to science, and how different- was reading. As soon as she realized the figures on the page meant something- could be strung together as words, and then sentences, and then paragraphs- she was covetous of the whole system. It seemed a new universe to her. And it was. Everything opened up. Some stories were meant to inform, and others were meant to entertain. And then other stories were separate from those- this the young teacher did not tell her, it was something Angelene figured out on her own, the first year, when a man visited and read them a poem out of a tome of poems- that seemed crafted to relay some secret, and even more than that, some secret about herself. Angelene was mesmerized. What was available for her to know? What secrets did the world hold? Which secrets would be revealed to her through the soil, and which through words? "
― Amanda Coplin , The Orchardist