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" Sometimes Partridge imagines that this isn't real, that, instead, it's just some elaborate reenactment of destruction, not the actual destruction itself. He remembers once being in a museum on a class trip. There were miniature displays with live actors in various wings, talking about what things were like before the Return of Civility. Each display was dedicated to a theme: before the impressive prison system was built, before difficult children were properly medicated, when feminism didn't encourage femininity, when the media was hostile to government instead of working toward a greater good, before people with dangerous ideas were properly identified, back when government had to ask permission to protect its good citizens from the evils of the world and from the evils among us, before the gates had gone up around neighborhoods with buzzer systems and friendly men at gatehouses who knew everyone by name.
In the heat of the day, there were battle reenactments on the museum's wide lawn that showed the uprisings waged in certain cities against the Return of Civility and its legislation. With the military behind the government, the uprisings - usually political demonstrations that became violent - were easily tamped down. The government's domestic militia, the Righteous Red Wave, came to save the day. The recorded sounds were deafening, Uzis and attack sirens pouring from speakers. The kids in his class bought bullhorns, very realistic hand grenades, and Righteous Red Wave iron-on emblems in the gift shop. He wanted a sticker that read THE RETURN OF CIVILITY - THE BEST KIND OF FREEDOM written over a rippling American flag, with the words REMAIN VIGILANT written beneath it. But his mother hadn't given him money for the gift shop, no wonder.
Of coarse, he knew now that the museum was propaganda. "
― Julianna Baggott , Pure (Pure, #1)
