164
" It doesn't say much. Only "Howard Roark, Architect". But it's like those mottoes men carved over the entrance of a castle and died for. It's a challenge in the face of something so vast and so dark, that all the pain on earth - and do you know how much suffering there is on earth? - all the pain comes from that thing y...ou are going to face. I don't know what it is, I don't know why it should be unleashed against you. I know only that it will be. And I know that if you carry these words through to the end, it will be a victory, Howard, not just for you, but for something that should win, that moves the world - and never wins acknowledgment. It will vindicate so many who have fallen before you, who have suffered as you will suffer. May God bless you - or whoever it is that is alone to see the best, the highest possible to human hearts. You're on your way to hell, Howard. "
― Ayn Rand , The Fountainhead
165
" The audience looked at him. They felt he had no chance. They could drop the nameless resentment, the sense of insecurity which he aroused in most people. And so, for the first time, they could see him as he was: a man totally innocent of fear. The fear of which they thought was not the normal kind, not a response to a tangible danger, but the chronic, unconfessed fear in which they all lived. They remembered the misery of the moments when, in loneliness, a man thinks of the bright words he could have said, but had not found, and hates those who robbed him of his courage. The misery of knowing how strong and able one is in one's own mind, the radiant picture never to be made real. Dreams? Self-delusion? Or a murdered reality, unborn, killed by that corroding emotion without name - fear - need - dependence - hatred? "
― Ayn Rand , The Fountainhead
167
" Yes! And isn't that the root of every despicable action? Not selfishness, but precisely the absence of a self. Look at them. The man who cheats and lies, but preserves a respectable front. He knows himself to be dishonest, but others think he's honest and he derives his self-respect from that, second-hand. The man who takes credit for an achievement which is not his own. He knows himself to be mediocre, but he's great in the eyes of others. The frustrated wretch who professes love for the inferior and clings to those less endowed, in order to establish his own superiority by comparison. The man whose sole aim is to make money. Now I don't see anything evil in a desire to make money. But money is only a means to some end. If a man wants it for a personal purpose--to invest in his industry, to create, to study, to travel, to enjoy luxury--he's completely moral. But the men who place money first go much beyond that. Personal luxury is a limited endeavor. What they want is ostentation: to show, to stun, to entertain, to impress others. They're second-handers. Look at our so-called cultural endeavors. A lecturer who spouts some borrowed rehash of nothing at all that means nothing at all to him--and the people who listen and don't give a damn, but sit there in order to tell their friends that they have attended a lecture by a famous name. All second-handers. "
― Ayn Rand , The Fountainhead
173
" I like to receive money for my work. But I can pass that up this time. I like to have people know my work is done by me. But I can pass that up. I like to have tenants made happy by my work. But that doesn't matter too much. The only thing that matters, my goal, my reward, my beginning, my end is the work itself. My work done my way. Peter, there's nothing in the world that you can offer me, except this. Offer me this and you can have anything I've got to give. My work done my way. A private, personal, selfish, egotistical motivation. That's the only way I function. That's all I am. "
― Ayn Rand , The Fountainhead
177
" Sometimes after dinner, he would walk into the woods that began behind the house. He would stretch down on the ground on his stomach, his elbows, planted before him, his hands propping his chin and he would watch the patterns of veins on the green blades of grass under his face, he would blow at them and watch the blades tremble then stop again. He would roll over on his back and lie still, feeling the warmth of the earth under him. Far above, the leaves were still green as if the color were condensed in the last effort before the dusk coming to dissolve it. The leaves hung without motion against a sky of polished lemon yellow, its luminous pallor emphasized that its light was failing. He pressed his hips, his back into the earth under him, the earth resisted, but it gave way; it was a silent victory; he felt a dim, sensuous pleasure in the muscles of his legs. "
― Ayn Rand , The Fountainhead