It's Down the Slippery Cellar Stairs (Essays on Fantastic Literature 1) QUOTES

1 " Persons such as Isaac Asimov and Carl Sagan say that tens of thousands (maybe tens of millions) of planets will fulfill the conditions for the support of life. And then they take the rather deceptive step from the ‘possibility of life’ to the ‘inevitability of life’ by such connivance as would shame a crooked gambler. They posit towering numbers of ‘civilizations’ on those ‘possibility-of-life planets’, at least half of them to be more advanced than the Civilization of Earth and Humankind.
But there is a strong element of Advocacy Science in this. There is a great and powerful lobby advocating the existence of great numbers of superior civilizations. One reason for this is that the secular-liberal-agnostic-relativistic faction of scientists cannot allow the uniqueness of anything, not of Earth, not of Life, certainly not of Human Life, most certainly not of existing Human Civilization. To allow the uniqueness of any of these things, they would have to cease to be secular-liberal-agnostic-relativistic persons. And the shock of changing their style would kill all of them.
Science Fiction also has a vested interest in there being a multiplicity of inhabited worlds and civilizations. That is one of the small number of things that Science Fiction is about. But Science Fiction is, after all, only a fiction. "

― R.A. Lafferty , It's Down the Slippery Cellar Stairs (Essays on Fantastic Literature 1)

2 " The ghost of some other fiction might say in truth to Science Fiction: “You're not very good, are you?” But Science Fiction can answer “Maybe not, but I'm alive and you're dead. "

― R.A. Lafferty , It's Down the Slippery Cellar Stairs (Essays on Fantastic Literature 1)

3 " The thing that is called ‘mainstream fiction’ is an invalid masquerade of the world. It wears masks identical to the faces under the masks; it wears costumes identical to the clothes under the costumes; it enclosed the ‘world sets’ in ‘theatrical sets’ of the same appearance. What kind of masquerade is that which does not mask? "

― R.A. Lafferty , It's Down the Slippery Cellar Stairs (Essays on Fantastic Literature 1)

4 " Science Fiction is a group of symptoms and not a disease,” so a medical student (failed) told me once. “It's like the old disease hydropsy that doctors treated for so long before discovering that it was only a collection of symptoms, sometimes for a heart disease, sometimes for a liver or kidney disease, or sometimes even for a septic throat.”
Well, the symptoms for Science Fiction are a prowling avidity to search out and read certain occult texts; an uneasiness or excitement that permates the whole routine of life; it's the ‘itchy ears’, as mentioned in Scripture, seeking for ‘new things’. The symptoms are usually a falcon-like hunting or questing; a series of sudden tuneful encounters; a group of euphorias and buoyancies that cry in opposite directions to be hoarded like misers' treasures and simultaneously to be shared with fellow sufferers of the symptoms; feeling that the ‘World We Live In’ is somehow masked and needs to be unmasked. These and other symptoms indicate either a strange disease or diseases, or they indicate a perpetually new kind of health.
Tracing the symptoms back to the ‘disease’ does indicate that the disease is multiple, that it has such names as Hard Science Fiction, Soft Science Fiction, High Fantasy, Low Fantasy, Non-Conforming Adventure Fiction. And sometimes it bears such non-consensus names as Biological Fiction, Ontological Fiction, Eschatological Fiction (did Teilhard, for instance, know that he was writing Eschatological Fiction?), Theological Fiction, or Psychological or Philosophical or Technological or Geological or Historical Fiction. These things and many others share the same complex of symptoms. "

― R.A. Lafferty , It's Down the Slippery Cellar Stairs (Essays on Fantastic Literature 1)

5 " Science Fiction is a collection of guerrilla bands each challenging the rights of the others to belong to the centrality. The band most challenged by the others is ‘high fantasy’, sometimes called ‘Sword and Sorcery’. There is a lot of stylized sneering at ‘S and S’. "

― R.A. Lafferty , It's Down the Slippery Cellar Stairs (Essays on Fantastic Literature 1)

6 " The seven bad-humored and unfunny devils who eat ourselves and our narratives alive are Pretentiousness, Pomposity, Presumption, Pontificality, Pavoninity or Peacockery, Pornography, and Pride, these seven offenses to all life. They have oozed out from under the iron doors and then they have inflated themselves immeasurably. "

― R.A. Lafferty , It's Down the Slippery Cellar Stairs (Essays on Fantastic Literature 1)

7 " The Children's programs generally sounded interesting, such as ‘How to Be a Werewolf’. Well, how do you be a werewolf? Except that I am no longer a child, I would have attended this program and learned how to be a werewolf, and I would be one now. "

― R.A. Lafferty , It's Down the Slippery Cellar Stairs (Essays on Fantastic Literature 1)

8 " Alien monsters were pleasant and funny. One early and almost forgotten piece of history tells that Adam, in addition to naming all the sub-lunar creatures, also named the nine hundred and ninety-nine species of creatures who had their homes and nests above the moon, on other moons or trabants or asteroids or planets. And after they were named, the super-lunary creatures went back to their own places, with friendly memories of Earth, the ‘naming place’. So we do have nine hundred and ninety-nine alien species, monstrous but friendly, waiting to meet us again. "

― R.A. Lafferty , It's Down the Slippery Cellar Stairs (Essays on Fantastic Literature 1)

9 " All of the real original stories, all of the best stories, were first told by the animals. The bears were superb story-tellers; so were the deep-space geese (they took nine generations to make a migration, laying eggs on the space journey and hatching out of them on the space journey, for the summer-land of their migrations was not on Earth). The brindled cave-cats were very good story-tellers. Among the stories were well-established genre stories. The seals told under-water stories that they learned from river-and-ocean creatures; and the golden weasels, who really came from the moon, told all sorts of space stories. So the Neanderthals, who learned the stories from the animals, had a very good stock of tales. "

― R.A. Lafferty , It's Down the Slippery Cellar Stairs (Essays on Fantastic Literature 1)

10 " The art of story-telling has not been declining from the beginning. It has been declining for only about twelve thousand years. One reason for the decline is a dietary deficiency: the scarcity of Wooly Rhinoceros Meat and of Dire Wolf Meat. And the other reason is the disappearance of good places where good stories may be told. "

― R.A. Lafferty , It's Down the Slippery Cellar Stairs (Essays on Fantastic Literature 1)

11 " Hold! Go no further!” upset people cry out. “You are coming too near to the subject named ‘religion’!”
Yes, ‘Religion’ is one of the taboo words that modern science fictioneers may not think nor say, unless they use it to mean something else. The selective speculation which they are allowed will not stretch far enough to allow religion itself, not far enough to see that we have passed the Isthmus and have only to take off our handcuffs and blindfolds to be free. In this, the narrowness, Science Fiction stands where much science stood a hundred years ago and where almost all pseudo-science still stands today. "

― R.A. Lafferty , It's Down the Slippery Cellar Stairs (Essays on Fantastic Literature 1)

12 " The problem of having a life-possible temperature over a fair part of area for a fair part of the time has been solved by Earth by a deep inclination (25° 27' to the perpendicular of the plane of orbit) to give the seasons, by a rapid rotation to give reasonable days and nights, and by an orbit that is only slightly eccentric to act as governor. This latter is very tricky: ask any demiurge who is in the business of making and positioning planets. "

― R.A. Lafferty , It's Down the Slippery Cellar Stairs (Essays on Fantastic Literature 1)