14
" For the first time in recent memory, Caleb wanted something other than revenge. He wanted the girl. He wanted Livvie.
He knew her name now, but it was the least of what he now knew. He knew all kinds of things about her--too much maybe. She wore shapeless clothing to school because she wanted her mother to love her. Her eyes were sad because she knew her mother didn't.
She had brothers and sisters. She felt responsible for them and jealous of them.
She was funny, and shy, but also fierce and brave.
Her first kiss had been a disaster.
She'd grown up without anyone to protect her.
And no one but Caleb had brought her physical pleasure.
Livvie was a survivor. That much he'd known, but what he hadn't known was what she'd had to survive. She deserved better. Better than them and certainly better than him.
He'd seen it in her eyes and her manner, but he had tried not to know why. He had wanted her nameless. He wanted to forget she had ever had a past, a history, dreams and hopes and all of those other things that made her ... Livvie. "
― C.J. Roberts , Captive in the Dark (The Dark Duet, #1)
20
" There is a moment, in all my studying of movies and scripts, that I’d realized something elemental about human beings and why I’d been attracted to that imaginary world. Each piece of work was attempting to describe the human condition, in all its good, bad and ugly glory. At first, it’d been an extension of my own life, strangely mirrored in this world of ‘fiction’. Each story wanted, no— needed—to reveal a human fragility, a human bondage which tied people to the things they did and to be the person they held in their heads. Those stories were something true and sometimes horrific but people were people and the parts didn’t just tell the whole story. "
― C.J. Roberts , Captive in the Dark (The Dark Duet, #1)