68
" William was deeply humiliated. I tried to comfort him; I told him that for three days he had been looking for a text in Greek and it was natural in the course of his examination for him to discard all books not in Greek. And he answered that it is certainly human to make mistakes, but there are some human beings who make more than others, and they are called fools, and he was one of them, and he wondered whether it was worth the effort to study in Paris and Oxford if one was then incapable of thinking that manuscripts are also bound in groups, a fact even novices know, except stupid ones like me, and a pair of clowns like the two of us would be a great success at fairs, and that was what we should do instead of trying to solve mysteries, especially when we were up against people far more clever than we. "
― Umberto Eco , The Name of the Rose
71
" As a little drop of water added to a quantity of wine is completely dispersed and takes on the color and taste of wine, as red-hot iron becomes like molten fire losing its original form, as air when it is inundated with the sun’s light is transformed into total splendor and clarity so that it no longer seems illuminated but, rather, seems to be light itself, so I felt myself die of tender liquefaction, and I had only the strength left to murmur the words of the psalm: “Behold my bosom is like new wine, sealed, which bursts new vessels,” and suddenly I saw a brilliant light and in it a saffron-colored form which flamed up in a sweet and shining fire, and that splendid light spread through all the shining fire, and this shining fire through that golden form and that brilliant light and that shining fire through the whole form. "
― Umberto Eco , The Name of the Rose
74
" I transcribe my text with no concern for timeliness. In the years when I discovered the Abbé Vallet volume, there was a widespread conviction that one should write only out of a commitment to the present, in order to change the world. Now, after ten years or more, the man of letters (restored to his loftiest dignity) can happily write out of pure love of writing. And so I now feel free to tell, for sheer narrative pleasure, the story of Adso of Melk, and I am comforted and consoled in finding it immeasurably remote in time (now that the waking of reason has dispelled all the monsters that its sleep had generated), gloriously lacking in any relevance for our day, atemporally alien to our hopes and our certainties. "
― Umberto Eco , The Name of the Rose
75
" True,' I said, amazed. Until then I had thought each book spoke of the things, human or devine, that lie outside books. Now I realized that not infrequently books speak of books: it is as if they spoke among themselves. In the light of this reflection, the library seemed all the more disturbing to me. It was then a place of a long, centuries-old murmuring, an imperceptible dialogue between one parchment and another, a living thing, a receptacle of powers not to be ruled by a human mind, a treasure of secrets emanated by many minds, surviving the death of those who had produced them or had been their conveyors. "
― Umberto Eco , The Name of the Rose