25
" he ran his palms up the warmth of her bare back, beneath the white T-shirt, that the people in his life weren’t beads strung on a wire of sequence, but clustered like quanta, so that he knew her as well as he’d known Rudy, or Allison, or Conroy, as well as he knew the girl who was Mitchell’s daughter. “Hey,” she whispered, working her mouth free, “you come upstairs now. "
― William Gibson , Count Zero (Sprawl, #2)
32
" Lucas knows, yeah. The last seven, eight years, there’s been funny stuff out there, out on the console cowboy circuit. The new jockeys, they make deals with things, don’t they, Lucas? Yeah, you bet I know; they still need the hard and the soft, and they still gotta be faster than snakes on ice, but all of ’em, all the ones who really know how to cut it, they got allies, don’t they, Lucas? "
― William Gibson , Count Zero (Sprawl, #2)
34
" Yes, Marly. And from that rather terminal perspective, I should advise you to strive to live hourly in your own flesh. Not in the past, if you understand me. I speak as one who can no longer tolerate that simple state, the cells of my body having opted for the quixotic pursuit of individual careers. I imagine that a more fortunate man, or a poorer one, would have been allowed to die at last, or be coded at the core of some bit of hardware. But I seem constrained, by a byzantine net of circumstance that requires, I understand, something like a tenth of my annual income. Making me, I suppose, the world’s most expensive invalid. I was touched, Marly, at your affairs of the heart. I envy you the ordered flesh from which they unfold.” And, for an instant, she stared directly into those soft blue eyes and knew, with an instinctive mammalian certainty, that the exceedingly rich were no longer even remotely human. "
― William Gibson , Count Zero (Sprawl, #2)
36
" Never hurt me. . . .” The voice was her own, lost and amazed, the voice of a child, and suddenly she was free, free of need, desire, free of fear, and all that she felt for the handsome face across the table was simple revulsion, and she could only stare at him, "
― William Gibson , Count Zero (Sprawl, #2)