126
" We were standing by the window, the mist pressed and broke in waves against the panes—and I felt that behind it lurked again the secret, the hidden, the past things, the damp
days of horror, the desolation, the filth, the shreds of a waste life, the perplexity, the misguided frittering away of strength in an aimless existence; but here, before me in the shadow, disconcertingly near, the quiet breathing, the unseizable present—warmth, clear living—I must hold it, I must win it. "
― Erich Maria Remarque , Three Comrades
127
" We remained there some time, then went back into the other galleries of the museum. In the interval more people had arrived, and it was now obvious that they did not really belong here. With pale faces and threadbare clothes, they wandered, hands behind their backs, rather diffidently through the rooms, with eyes that were seeing something far other than the Renaissance pictures and the still, marble antique figures. Many were sitting on the red upholstered seats that were placed around. They sat wearily there, as if prepared to stand up at once, should anyone come to move them on. You could see in their attitudes that upholstered seats were something which it was quite incredible it should cost nothing to sit on. They were used to receiving nothing for nothing. It was very quiet in all the rooms, and despite all the visitors one hardly heard a word; and yet it seemed to me as if I were looking on at an enormous struggle—the soundless struggle of men who were stricken down, but did not mean to give in yet. They had been thrown out from the fields of their work, their striving, their callings; now they had come into the quiet rooms of Art, in order not to fall into paralysis and despair. They were thinking of bread, always and only of bread and occupation; but they came here to escape from their thoughts for a few hours—and amongst the clean-cut Roman heads and the imperishable grace of white, Greek female figures they wandered around with the dragging gait, the bowed shoulders of men who have no purpose—a shocking contrast, a cheerless picture of what humanity had been able, and unable, to achieve in a thousand years—the summit of eternal works of art, but not even bread enough for each of their brothers. "
― Erich Maria Remarque , Three Comrades
