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" Of the many wonderful tales Moor told me, the most wonderful, the most delightful one, was “Hans Röckle.” It went on for months; it was a whole series of stories... Hans Röckle himself was a Hoffman-like magician, who kept a toyshop, and who was always “hard up.” His shop was full of the most wonderful things—of wooden men and women, giants and dwarfs, kings and queens, workmen and masters, animals and birds as numerous as Noah got into the Ark, tables and chairs, carriages, boxes of all sorts and sizes. And though he was a magician, Hans could never meet his obligations either to the devil or to the butcher, and was therefore—much against the grain—constantly obliged to sell his toys to the devil. These then went through wonderful adventures—always ending in a return to Hans Röckle’s shop. —Eleanor Marx, on her father Karl’s bedtime stories (in Stallybrass 1998:198) "
― David Graeber , Toward An Anthropological Theory of Value: The False Coin of Our Own Dreams
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" In a broader sense, the value of heirlooms is always, as I have said, an historical value, derived from acts of production, use, or appropriation that have involved the object in the past. The value of an heirloom is really that of actions: actions whose significance has been, as it were, absorbed into the object’s current identity—whether the emphasis is placed on the inspired labors of the artist who created it, the lengths to which some people have been known to go to acquire it, or the fact that it was once used to cut off a mythical giant’s head. Since the value of the actions has already been fixed in the physical being of the object, it is perhaps a short leap to begin attributing the agency behind such actions to the object as well, and speak, as Mauss does, of valuables that transfer themselves from owner to owner or actively influence their owners’ fates. The "
― David Graeber , Toward An Anthropological Theory of Value: The False Coin of Our Own Dreams
