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1 " My studio team and I approached the creation of this series with enthusiasm, wit, sincerity and sometimes more than a dash of humour. Is the result just another foray into the clichés of Orientalism? I think not. For the most part the people photographed became co-conspirators in our elaborate game of recreating reality. They enjoyed chai with us and a morning samosa (we most always shoot in the early morning since it is the best time to utilize available light). Our models were indeed “posed and paid”, but they cooperated by suggesting so many things themselves… eagerly grasping the process we were undertaking and joining in the creation of what generally became more than just a photo shoot. Each session in the studio became an “event”…an episode of manufactured expression in which all participated and all remembered. "
― Waswo X. Waswo , Men of Rajasthan
2 " Some individuals came right out and accused me of being a Neo-Orientalist (in a pejorative Edward Said sense of the term). So of course eventually I bristled at the questions themselves. They seemed to stem from an obsessive political correctness that wished to brand every Western photographer working in Asia as a neo-colonialist, an ethnographer, or a culprit secretly advancing a hegemonic agenda. The idea that people of one culture cannot create valid art in another I found ludicrous and restrictive to say the least. "
