2
" All over the ancient world populations were now set against populations, as men were set against women and against other men. Wandering over the width and breadth of this disintegrating world, masses of refugees were everywhere fleeing their homelands, desperately searching for a haven, for a safe place to go.
But there was no such place left in their new world. For this was now a world where, having violently deprived the Goddess and the female half of humanity of all power, gods and men of war ruled. It was a world in which the Blade, and not the Chalice, would henceforth be supreme, a world in which peace and harmony would be found only in the myths and legends of a long lost past. "
― Riane Eisler , The Chalice and the Blade: Our History, Our Future (Updated With a New Epilogue)
3
" When we look closely, not only at what Jesus taught but at how he went about disseminating his message, time and again we find that what he was preaching was the gospel of a partnership society. He rejected the dogma that high-ranking men - in Jesus' day, priests, nobles, rich men, and kings - are the favorites of God. He mingled freely with women, thus openly rejecting the male-supremacist norms of his time. And in sharp contrast to the views of later Christian sages, who actually debated whether woman has an immortal soul, Jesus did not preach the ultimate dominator message: that women are spiritually inferior to men. "
― Riane Eisler , The Chalice and the Blade: Our History, Our Future (Updated With a New Epilogue)
5
" there are only two basic ways of structuring the relations between the female and male halves of humanity. All societies are patterned on either a dominator model—in which human hierarchies are ultimately backed up by force or the threat of force—or a partnership model, with variations in between. Moreover, if we reexamine human society from a perspective that takes into account both women and men, we can also see that there are patterns, or systems configurations, that characterize dominator, or alternatively, partnership, social organization. "
― Riane Eisler , The Chalice and the Blade: Our History, Our Future (Updated With a New Epilogue)
6
" It is also more than likely that women invented that most fundamental of all material technologies, without which civilization could not have evolved: the domestication of plants and animals. In fact, even though this is hardly ever mentioned in the books and classes where we learn history of "ancient man", most scholars today agree that this is probably how it was. They note that in contemporary gatherer-hunter societies, women, not men, are typically in charge of processing food. It would thus have been more likely that it was women who first dropped seeds on the ground of their encampments, and also began to tame young animals by feeding and caring for them as they did for their own young. Anthropologists also point to the fact that in the primarily horticultural economies of "developing" tribes and nations, contrary to Western assumptions, the cultivation of the soil is to this day primarily in the hands of women. "
― Riane Eisler , The Chalice and the Blade: Our History, Our Future (Updated With a New Epilogue)
9
" The Goddess-centered art we have been examining, with its striking absence of images of male domination or warfare, seems to have reflected a social order in which women, first as heads of clans and priestesses and later on in other important roles, played a central part, and in which both men and women worked together in equal partnership for the common good. If there was here no glorification of wrathful male deities or rulers carrying thunderbolts or arms, or of great conquerors dragging abject slaves about in chains, it is not unreasonable to infer it was because there were no counterparts for those images in real life.10 And if the central religious image was a woman giving birth and not, as in our time, a man dying on a cross, it would not be unreasonable to infer that life and the love of life—rather than death and the fear of death—were dominant in society as well as art. "
― Riane Eisler , The Chalice and the Blade: Our History, Our Future (Updated With a New Epilogue)
