65
" I agree that it seems vulgar, decadent, even epistemically violent, to invest energy in the trivialities of sex and friendship when human civilization is facing collapse. But at the same time, that is what I do every day. We can wait, if you like, to ascend to some higher plane of being, at which point we’ll start directing all our mental and material resources toward existential questions and thinking nothing of our own families, friends and lovers and so on. But we’ll be waiting, in my opinion, a long time. And, in fact, we’ll die first. After all, when people are lying on their deathbeds, don’t they always start talking about their spouses and children? And isn’t death just the apocalypse in the first person? So, in that sense, there is nothing bigger than what you so derisively call “breaking up and staying together,” because at the end of our lives, when there is nothing left in front of us, it’s still the only thing we want to talk about. Maybe we’re just born to love and worry about the people we know and to go on loving and worrying, even when there are more important things we should be doing. And if that means the human species is going to die out, isn’t it -- in a way -- a nice reason to die out? The nicest reason you can imagine? Because when we should have been reorganizing the distribution of the world’s resources and transitioning collectively to a sustainable economic model, we were worrying about sex and friendship instead. Because we loved each other too much, and found each other too interesting. And I love that about humanity. And in fact it’s the very reason I root for us to survive -- because we are so stupid about each other. "
― Sally Rooney , Beautiful World, Where Are You
66
" I was in the local shop today, getting something to eat for lunch, when I suddenly had the strangest sensation—a spontaneous awareness of the unlikeliness of this life. I mean, I thought of all the rest of the human population—most of whom live in what you and I would consider abject poverty—who have never seen or entered such a shop. And this, this, is what all their work sustains! This lifestyle, for people like us! All the various brands of soft drinks in plastic bottles and all the pre-packaged lunch deals and confectionery in sealed bags and store-baked pastries—this is it, the culmination of all the labour in the world, all the burning of fossil fuels and all the back-breaking work on coffee farms and sugar plantations. All for this! This convenience shop! I felt dizzy thinking about it. I mean I really felt ill. It was as if I suddenly remembered that my life was all part of a television show—and every day people died making the show, were ground to death in the most horrific ways, children, women, and all so that I could choose from various lunch options, each packaged in multiple layers of single-use plastic. That was what they died for—that was the great experiment. I thought I would throw up. Of course, a feeling like that can’t last. Maybe for the rest of the day I feel bad, even for the rest of the week—so what? I still have to buy lunch. And in case you’re worrying about me, let me assure you, buy lunch I did. "
― Sally Rooney , Beautiful World, Where Are You
68
" For a time they sat there on the stairs, not speaking, or speaking absently about things that had happened a long time ago, silly arguments they’d had, people they used to know, things they had laughed about together. Old conversations, repeated many times before. Then quiet again for a little while. I just want everything to be like it was, Eileen said. And for us to be young again and live near each other, and nothing to be different. Alice was smiling sadly. But if things are different, can we still be friends? she asked. Eileen put her arm around Alice’s shoulders. If you weren’t my friend I wouldn’t know who I was, she said. Alice rested her face in Eileen’s arm, closing her eyes. No, she agreed. I wouldn’t know who I was either. And actually for a while I didn’t. Eileen looked down at Alice’s small blonde head, nestled on the sleeve of her dressing gown. Neither did I, she said. Half past two in the morning. Outside, astronomical twilight. Crescent moon hanging low over the dark water. Tide returning now with a faint repeating rush over the sand. Another place, another time. "
― Sally Rooney , Beautiful World, Where Are You
72
" Even shelving that more immediate concern, neither you nor I have any confidence that human civilisation as we know it is going to persist beyond our lifetimes. But then again, no matter what I do, hundreds of thousands of babies will be born on the same day as this hypothetical baby of mine. Their futures are surely just as important as the future of my hypothetical baby, who is distinguished only by its relationship to me and also to the man I love. I suppose I mean that children are coming anyway, and in the grand scheme of things it won’t matter much whether any of them are mine or his. We have to try either way to build a world they can live in. And I feel in a strange sense that I want to be on the children’s side, and on the side of their mothers; to be with them, not just an observer, admiring them from a distance, speculating about their best interests, but one of them. I’m not saying, by the way, that I think that’s important for everyone. I only think, and I can’t explain why, that it’s important for me. "
― Sally Rooney , Beautiful World, Where Are You
80
" A veces imagino las relaciones humanas como algo blando, agua o arena, y que al verterlas en un recipiente concreto les damos forma. Así, la relación entre una madre y su hija se vierte en un recipiente etiquetado como 'madre e hija' y adquiere los contornos del envase, y ahí dentro se queda, para bien o para mal. Puede que unas amigas enemistadas hubiesen sido perfectamente felices como hermanas, o algunas parejas casadas como padres e hijos, quién sabe. Pero ¿cómo sería forjar una relación sin ninguna clave de forma preestablecida? Verter el agua y dejar que caiga, ya está. Supongo que no adoptaría ninguna forma, que se escurriría en todas direcciones. "
― Sally Rooney , Beautiful World, Where Are You