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Outlaw Culture: Resisting Representations QUOTES

Outlaw Culture: Resisting Representations QUOTES

1 " Contrary to what some folks would have us believe, it is not tragic, even if undesirable, for a person to leave a liberal arts education not having read major works from this canon. Their lives are not ending. And the exciting dimension of knowledge is that we can learn a work without formally studying it. If a student graduates without reading Shakespeare and then reads or studies this work later, it does not delegitimize whatever formal course of study that was completed. "

― , Outlaw Culture: Resisting Representations

2 " Working with students and families from diverse class backgrounds, I am constantly amazed at how difficult it is to cross boundaries in this white supremacist, capitalist, patriarchal society. And it is obviously most difficult for individuals who lack material privilege or higher levels of education to make the elaborate shifts in location, thought, and life experience cultural critics talk and write about as though it is only a matter of individual will. "

― , Outlaw Culture: Resisting Representations

3 " In the early years of contemporary feminist movement, solidarity between women was often equated with the formation of "safe" spaces where groups of presumably like-minded women could come together, sharing ideas and experiences without fear of silencing or rigorous challenges. Groups sometimes disintegrated when the speaking of diverse opinion lead to contestation, confrontation, and out-and-out conflict. It was common for individual dissenting voices to be silenced by the collective demand for harmony. Those voices were at times punished by exclusion and ostracization. Before it became politically acceptable to discuss issues of race and racism within feminist circles, I was one of those "undesirable" voices. Always a devout advocate of feminist politics, I was, and am, also constantly interrogating and, if need be, harsh in my critique. I learned powerful lessons from hanging in there, continuing to engage in feminist movement even when that involvement was not welcomed. Significantly, I learned that any progressive political movement grows and matures only to the degree that it passionately welcomes and encourages, in theory and in practice, diversity of opinion, new ideas, critical exchange, and dissent. "

― , Outlaw Culture: Resisting Representations

4 " When we leave the realm of cinema, it is obvious that the dynamics of white supremacist capitalist patriarchy---which has historically represented black females as "undesirable mates" even if they are desirable sex objects, and so rendered it socially unacceptable for powerful white males to seek committed relationships with black women---continue to inform the nature of romantic partnership in our society.

What would happen to the future of white supremacist patriarchy if heterosexual white males were choosing to form serious relationships with black females?

Clearly, this structure would be under mined. Significantly, The Bodyguard reaffirms this message. Frank Farmer is portrayed as a conservative Republican patriarch, a defender of the nation. Once he leaves the black woman "she devil" who has seduced and enthralled him, he returns to his rightful place as keeper of the nation's patriarchal legacy. In the film, we see him protecting the white male officers of state. These last scenes suggest that loving a black woman would keep him from honoring and protecting the nation. "

― , Outlaw Culture: Resisting Representations

5 " What we as women need to ask ourselves is: "In what context within patriarchy do women create space where we can protect our genius?" It's a very, very difficult question. "

― , Outlaw Culture: Resisting Representations