6
" Sometimes I think, were I just a little rougher made, I would go altogether to the woods—to my work entirely, and solitude, a few friends, books, my dogs, all things peaceful, ready for meditation and industry—if for no other reason than to escape the heart-jamming damages and discouragements of the worlds mean spirits. But, no use. Even the most solitudinous of us is communal by habit, and indeed by commitment to the bravest of our dreams, which is to make a moral world. The whirlwind of human behavior is not to be set aside. "
― Mary Oliver , Winter Hours: Prose, Prose Poems, and Poems
8
" In the mystery and the energy of loving, we all view time's shadow upon the beloved as wretchedly as any of Poe's narrators. We do not think of it every day, but we never forget it: the beloved shall grow old, or ill, and be taken away finally. No matter how ferociously we fight, how tenderly we love, how bitterly we argue, how pervasively we berate the universe, how cunningly we hide, this is what shall happen. In the wide circles of timelessness, everything material and temporal will fail, including the manifestation of the beloved. In this universe we are given two gifts: the ability to love, and the ability to ask questions. Which are, at the same time, the fires that warm us and the fires that scorch us. This is Poe's real story. As it is ours. And this is why we honor him, why we are fascinated far past the simple narratives. He writes about our own inescapable destiny. "
― Mary Oliver , Winter Hours: Prose, Prose Poems, and Poems
9
" Maybe the idea of the world as flat isn't a tribal memory or an archetypal memory, but something far older -- a fox memory, a worm memory, a moss memory.
Memory of leaping or crawling or shrugging rootlet by rootlet forward, across the flatness of everything.
To perceive of the earth as round needed something else -- standing up! -- that hadn't yet happened.
What a wild family! Fox and giraffe and wart hog, of course. But these also: bodies like tiny strings, bodies like blades and blossoms! Cord grass, Christmas fern, soldier moss! And here comes grasshopper, all toes and knees and eyes, over the little mountains of the dust.
When I see the black cricket in the woodpile, in autumn, I don't frighten her. And when I see the moss grazing upon the rock, I touch her tenderly,
sweet cousin. "
― Mary Oliver , Winter Hours: Prose, Prose Poems, and Poems
12
" YEARS AGO I set three "rules" for myself. Every poem I write, I said, must have a genuine body, it must have sincere energy, and it must have a spiritual purpose. If a poem to my mind failed any one of these categories it was rebuked and redone, or discarded. Over the forty or so years during which writing poems has been my primary activity, I have added other admonitions and consents. I want every poem to "rest" in intensity. I want it to be rich with "pictures of the world." I want it to carry threads from the perceptually felt world to the intellectual world. I want each poem to indicate a life lived with intelligence, patience, passion, and whimsy (not my life—not necessarily!—but the life of my formal self, the writer). I want the poem to ask something and, at its best moments, I want the question to remain unanswered. I want it to be clear that answering the question is the reader's part in an implicit author-reader pact. Last but not least, I want the poem to have a pulse, a breathiness, some moment of earthly delight. (While one is luring the reader into the enclosure of serious subjects, pleasure is by no means an unimportant ingredient.) "
― Mary Oliver , Winter Hours: Prose, Prose Poems, and Poems
13
" In the mystery and the energy of loving, we all view time's shadow upon the beloved as wretchedly as any of Poe's narrators. We do not think of it every day, but we never forget it: the beloved shall grow old, or ill, and be taken away finally. No matter how ferociously we fight, how tenderly we love, how bitterly we argue, how pervasively we berate the universe, how cunningly we hide, this is what shall happen. In the wide circles of timelessness, everything material and temporal will fail, including the manifestation of the beloved. In this universe we are given two gifts: the ability to love, and the ability to ask questions. Which are, at the same time, the fires that warm us and the fires that scorch us. This is Poe's real story. As it is ours. And this is why we honor him, why we are fascinated far past the simple narratives. He writes about our own inescapable destiny. His "
― Mary Oliver , Winter Hours: Prose, Prose Poems, and Poems
17
" To believe in the soul—to believe in it exactly as much and as hardily as one believes in a mountain, say, or a fingernail, which is ever in view— imagine the consequences! How far-reaching, and thoroughly wonderful! For everything, by such a belief, would be charged, and changed. You wake in the morning, the soul exists, your mouth sings it, your mind accepts it. And the perceived, tactile world is, upon the instant, only half the world! "
― Mary Oliver , Winter Hours: Prose, Prose Poems, and Poems
