34
" bought a pristine copy of Man on the Run, a biography of Paul McCartney that began not with the Beatles, but with what McCartney did after they broke up. Parker had always preferred McCartney’s work to John Lennon’s, whatever effect it might have had on his standing with the cool kids. Lennon could only ever really write about himself, and Parker felt that he lacked empathy. McCartney, by contrast, was capable of thinking, or feeling, himself into the lives of others. It was the difference between “Strawberry Fields Forever” and “Penny Lane”: although Parker loved both songs, “Penny Lane” was filled with characters, while “Strawberry Fields Forever” really had only one, and his name was John Lennon. Parker might even have taken the view that Lennon needed to get out of his apartment more, but when he did, an idiot shot him. He’d probably been right to spend the best part of a decade locked inside. Ross appeared just as McCartney "
― John Connolly , A Game of Ghosts (Charlie Parker, #15)
39
" The presence in the living room called to her, summoning her in a hundred voices and none, a great dissonant harmony alien yet familiar, like a song that, once heard, insinuates itself into one’s history, finding echoes in old melodies; a configuration once hidden, now revealed. Step, "
― John Connolly , A Game of Ghosts (Charlie Parker, #15)