Ten Steps to Nanette QUOTES

2 " What good is a coherent narrative if people don’t want to hear it? Because trauma won’t leave you alone until you feel safe, and safety is not something that an individual can summon on their own. Safety is not a gun. Safety is being able to trust that those around you WANT to protect you from harm. But if those around you don’t believe you are “like them,” then they will focus on the discomfort you make them feel, and that discomfort is not a safe space. "

― Hannah Gadsby , Ten Steps to Nanette

4 " lot of noises all at once, even if they are exclusively pleasant sounds, will always feel like an assault. So, the relentless cacophony of high school was constantly and unbearably overwhelming. And don’t get me started on the smell of it. Body sprays competed with hair sprays, which competed with the always over-deployed deodorants that still somehow managed to lose the war against the toxic bouquet of teenage body odour. Thank god I was a smoker; I might’ve perished otherwise. The other hurdle high school threw up at me was homework. I am not morally opposed to extracurricular curricula; I just didn’t have time for it. As in primary school, I needed my evenings to catch up on the things my brain had been unable to take on board during the day, not to mention recover from the sheer exhaustion of trying to subtly navigate a sea of hypercritical teens for hours on end. On top of that, the closer I got to being an adult and the further away from being a baby, the more chores I was expected to get done at home. These extra burdens, as reasonable as they were, led to my brain shutting down more and more, and, without my brain, learning became impossible. "

― Hannah Gadsby , Ten Steps to Nanette

6 " Some people, most particularly the guy who came up with the concept, will tell you that 'The Grim Reaper' was a work of genius, a revolutionary approach to television advertising. But I’m here to tell you that was, and remains, a total and utter shit stain of an idea. And you don’t need to go any further than the first line of the ad to understand why:

'At first, it was only gays and drug users being killed by AIDS.'
It is the word 'only' that pisses me off. 'Only gays and IV drug users.' that is to say: 'Only' people who don’t matter. 'Only' people whose suffering should be of no concern to you. Like I said. A total and utter shit stain of an idea. Defenders of the ad might argue that the 'only' was simply about identifying those whom the AIDS epidemic was affecting, and not a statement of this demographic’s value to the community. To which I would say: If you’re such a genius at mass messaging then you should be aware of how the word 'only' would work in the minds of those who are already looking for ways to subjugate the humanity of the people who are listed after the world 'only'. "

― Hannah Gadsby , Ten Steps to Nanette

8 " a lot of noises all at once, even if they are exclusively pleasant sounds, will always feel like an assault. So, the relentless cacophony of high school was constantly and unbearably overwhelming. And don’t get me started on the smell of it. Body sprays competed with hair sprays, which competed with the always over-deployed deodorants that still somehow managed to lose the war against the toxic bouquet of teenage body odour. Thank god I was a smoker; I might’ve perished otherwise. The other hurdle high school threw up at me was homework. I am not morally opposed to extracurricular curricula; I just didn’t have time for it. As in primary school, I needed my evenings to catch up on the things my brain had been unable to take on board during the day, not to mention recover from the sheer exhaustion of trying to subtly navigate a sea of hypercritical teens for hours on end. On top of that, the closer I got to being an adult and the further away from being a baby, the more chores I was expected to get done at home. These extra burdens, as reasonable as they were, led to my brain shutting down more and more, and, without my brain, learning became impossible. "

― Hannah Gadsby , Ten Steps to Nanette

10 " It was clear that neither of us really mattered to the world, we were both just caught in the crossfire of a process neither of us understood. The difference between us was that he'd been promised the world, and I had not, which made him the underdog, whereas I was just a dog. "

― Hannah Gadsby , Ten Steps to Nanette

12 " Fauvism is what you get if you take Post-Impressionism and put it on Expressionist steroids through a technicolour lens. And that sentence is what you get when you've dabbled in enough wank to get by but not enough to participate elegantly. "

― Hannah Gadsby , Ten Steps to Nanette

14 " I should also point out that "Nanette" is not completely devoid of jokes. The first half is crammed full of very solid punchlines. And every time I performed the show I filled the room with a lot of big laughter without fail. That is important, not just as a bragging point but because that is how I built the trust. And I needed my audience to trust me because I needed my audience to feel safe. And I needed my audience to feel safe so that I could take that safety away and not give it back. Why? Because that is the shape of trauma. "

― Hannah Gadsby , Ten Steps to Nanette

16 " I want the world to stop demanding gratuitous details in exchange for empathy. Entertainment in exchange for understanding. "

― Hannah Gadsby , Ten Steps to Nanette

18 " Fat jokes were my bread and butter which is a shame because that kind of bread and butter is basically a shame sandwich, and shame is never part of a healthy balanced diet. "

― Hannah Gadsby , Ten Steps to Nanette

20 " The power of a joke is not in the writing. It is how you wrap your voice around it. "

― Hannah Gadsby , Ten Steps to Nanette