81
" Avoiding the facility’s tangle of Life Cycles and Cybex machines, he had focused instead on a series of punches, blocks, and kicks to the air that, to the uninitiated, might have looked like some kind of martial dance routine. Actually, his moves were good—smooth, practiced, and powerful. They would have been impressive in any twenty-year-old, but this guy looked at least twice that. I do some similar solo exercises myself, from time to time, although nothing so formal and stylized. And when I do work out this way, I don’t do it in public. It draws too much attention, especially from someone who knows what to look for. Someone like me. In my line of work, drawing attention is a serious violation of the laws of common sense, and therefore of survival. Because if someone notices you for one thing, he’ll be inclined to look more closely, at which point he might notice something else. A pattern, which would have remained quietly hidden, might then begin to emerge, after which your cloak of anonymity will be methodically pulled apart, probably to be rewoven into something more closely resembling a shroud. "
― Barry Eisler , Winner Take All (John Rain, #3)
82
" I would stare at the statue’s distant shape, perhaps daring it to do something—strike me down if it wanted, or show some other sign of sentience—and, after an uneventful interregnum, I would turn away, never with satisfaction. The statue seemed to mock me with its muteness and its immobility, as though offering the promise, if of anything, not of redemption, but rather of a reckoning, and at a time of its choosing, not of mine. "
― Barry Eisler , Winner Take All (John Rain, #3)