Life and Death in Shanghai QUOTES

1 " He raised his arm to strike me. At that very moment, [my daughter] Meiping's cat, Fluffy, came through the kitchen door, jumped on the man's leg from behind, and sank his teeth into the flesh of the man's calf. "

― Nien Cheng , Life and Death in Shanghai

2 " One of the most ugly aspects of life in Communist China during the Mao Zedong era was the Party’s demand that people inform on each other routinely and denounce each other during political campaigns. This practice had a profoundly destructive effect on human relationships. Husbands and wives became guarded with each other, and parents were alienated from their children. The practice inhibited all forms of human contact, so that people no longer wanted to have friends. It also encouraged secretiveness and hypocrisy. To protect himself, a man had to keep his thoughts to himself. When he was compelled to speak, often lying was the only way to protect himself and his family. "

― Nien Cheng , Life and Death in Shanghai

3 " ultimate in respectability: not only received back into the ranks of the people but also "

― Nien Cheng , Life and Death in Shanghai

4 " [Mr. Hu said:] There always comes a time when a man almost reaches the end of his endurance and is tempted to write down something, however untrue, to satisfy his inquisitors and to free himself from intolerable pressure. But one mustn't do it. [. . .] Once one starts confessing, they will demand more and more admissions of guilt, however false, and exert increasing pressure to get what they want. In the end, one will get into a tangle of untruths from which one can no longer extract oneself. "

― Nien Cheng , Life and Death in Shanghai

5 " The poet Tao Yuan-ming (A.D. 376 - 427) used the lotus to represent a man of honor in a famous poem, saying that the lotus rose out of mud but remained unstained. [. . .] Perhaps the poet was too idealistic, I thought as I listened to the laughter of the Red Guards overhead. They seemed to be blissfully happy in their work of destruction because they were sure they were doing something to satisfy their God, Mao Zedong. "

― Nien Cheng , Life and Death in Shanghai

6 " I love China! I love my country even though it is not always good ro right,' my daughter proclaimed in a firm voice. Her words brought tears to my eyes. I also had a deep and abiding love for the land of my ancestors even though, because of my class status, I had become an outcast. "

― Nien Cheng , Life and Death in Shanghai

7 " I must not only keep alive, but I must be as strong as granite, so that no matter how much I was knocked about, I could remain unbroken. "

― Nien Cheng , Life and Death in Shanghai

8 " It was strange to realize that after this night I would never see it again as it was. The room had never looked so beautiful as it did at that moment. "

― Nien Cheng , Life and Death in Shanghai

9 " I saw another young man coming down the stairs from the third floor with my blanc de chine Goddess of Mercy, Guanyin, in his hand. [. . .] He swung the arm holding the Guanyin carelessly in the air and declared, 'This is a figure of Buddhist superstition. I'm going to throw it in the trash.' The Guanyin was a perfect specimen and a genuine product of the Dehua kiln in Fujian province. It was the work of the famous 17th century Ming sculptor Chen Wei and bore his seal on the back. The beauty of the creamy-white figure was beyond description. The serene expression of the face was so skillfully captured that it seemed to be alive. The folds of the robe flowed so naturally that one forgot it was cared out of hard biscuit. The glaze was so rich and creamy that the whole figure looked as if it were soft to the touch. [. . .] By this time, I no longer thought of them as my own possessions. I did not care to whom they belonged after tonight as long as they were saved from destruction. "

― Nien Cheng , Life and Death in Shanghai

10 " It’s always best to look ahead and not backwards. Possessions are not important. Think of those beautiful porcelain pieces I had. Before they came to me, they had all passed through the hands of many people, surviving wars and natural disasters. I got them only because someone else lost them. While I had them, I enjoyed them; now some other people will enjoy them. Life itself is transitory. Possessions are not important. "

― Nien Cheng , Life and Death in Shanghai

11 " Pilfering was common in Communist China’s state-owned enterprises, as the Party secretaries were slack in guarding properties that belonged to the government and poorly paid workers felt it fair compensation for their low pay. The practice was so widespread that it was an open secret. The workers joked about it and called it "Communism," which in Chinese translation means "sharing property. "

― Nien Cheng , Life and Death in Shanghai

12 " As I stood in the room looking at it for the last time, I felt again the cold metal of the handcuffs on my wrists and remembered the physical suffering and mental anguish I had endured while fighting with all the willpower and intellect God had given me for that rare and elusive thing in a Communist country called justice. "

― Nien Cheng , Life and Death in Shanghai

13 " But it also had many large posters with messages of a more peaceful nature. These extolled the country’s economic achievement since the Cultural Revolution, which was supposed to have liberated the forces of production and increased productivity. Of course, the Cultural Revolution had done just the opposite. Official lies like this, habitually indulged in and frequently displayed by the authorities, served no purpose except to create the impression that truth was unimportant. "

― Nien Cheng , Life and Death in Shanghai

14 " For so many years, the official propaganda machinery had denounced humanitarianism as sentimental trash and advocated human relations based entirely on class allegiance. But my personal experience had shown me that most of the Chinese people remained kind, sensitive, and compassionate even though the cruel reality of the system under which they had to live compelled them to lie and pretend. "

― Nien Cheng , Life and Death in Shanghai

15 " But after living in Communist China for the past seventeen years, I knew that such a society was only a dream because those who seized power would invariably become the new ruling class. They would have the power to control the people’s lives and bend the people’s will. Because they controlled the production and distribution of goods and services in the name of the state, they would also enjoy material luxuries beyond the reach of the common people. In Communist China, details of the private lives of the leaders were guarded as state secrets. But every Chinese knew that the Party leaders lived in spacious mansions with many servants, obtained their provisions from special shops where luxury goods were made available to their household at nominal prices, and send their children in chauffeur-driven cars to exclusive schools to be taught by specially selected teachers. Even though every Chinese knew how these leaders lived, no one dared to talk about it. If we had to pass by a special shop for the military or high officials, we carefully looked the other way to avoid giving the impression we knew it was there. "

― Nien Cheng , Life and Death in Shanghai

16 " Since the Red Guards had removed the goods displayed in the windows of the shops, Mao’s official portraits were put there. A person walking down the streets in the shopping district would not only be confused by rows of shops bearing the same name, but also had the uncanny feeling of being watched by a hundred faces of Mao. "

― Nien Cheng , Life and Death in Shanghai

17 " From the point of view of the Chinese Communist Party, the greatest casualties of the Cultural Revolution were the Party’s prestige and its ability to govern. "

― Nien Cheng , Life and Death in Shanghai

18 " I was silently reciting to myself the 23rd Psalm, 'The Lord is my shepherd; I shal not want . . .' [. . .] The man with the tinted spectacles and the man from the police department were looking at me thoughtfully. They mistook my silence as a sign of weakening. I knew I had to show courage. In fact, I felt much better for having recited the words of the psalm. I had not been so free of fear the whole evening as I was in that moment standing beside the black jeep, a symbol of repression. I lifted my head and said in a loud and firm voice, 'I'm not guilty! I have nothing to confess. "

― Nien Cheng , Life and Death in Shanghai

19 " Large portraits of Mao on wooden boards several feet high stood at main street corners. Painted to make the old man look extremely youthful, healthy, and fat (a sign of well-being in China), these pictures provided a mocking contrast to the thin, pale-faced pedestrians walking listlessly below them. "

― Nien Cheng , Life and Death in Shanghai

20 " It's always best to look ahead and not backwards. Possessions are not important. Think of those beautiful porcelain pieces I had. Before they came to me, they had all passed through the hands of many people, surviving wars and natural disasters. I got them only because someone else lost them. While I had them, I enjoyed them; now some other people will enjoy them. Life itself is transitory. Possessions are not important. "

― Nien Cheng , Life and Death in Shanghai