1
" Yes, I know that now that there is truth in beauty and beauty in truth. My nature is to be depressive and come out of it and write, and enjoy writing and feeling as if I have a passion and excitement and love and euphoria for it and then I go 'back to sleep again' where I can eat and watch television and not work, not be productive and then just as if a magic switch is turned on I can do it all over again. I don't mind the being depressed part. Sometimes it seems to fuel me. The anger though is gone now that was there in my twenties and even earlier in my youth. Your voice is Tolstoy’s, Hemingway’s, Updike’s, Styron’s, Mcewan’s, Greene’s, Fugard’s, Kundera’s, Rilke’s while I am the incarnate of Radcliffe Hall crossing both genders effortlessly. You betray nothing. There is son in the picture. A small boy but you don’t introduce him to me. Obsessions are unhealthy creatures. They make you mentally ill, emotionally unstable; leave you with a chemistry of deep sadness in your life. I have my writing. It keeps me from disintegrating into fractions. I should stop now before I begin to make myself cry. "
― Abigail George , Winter in Johannesburg
8
" What motivated me to write was a pale September, walking to and fro from school, a hail shower in Swaziland, a forest of flowers, autumn in Port Elizabeth, the falling of the leaves, the wind in the trees, the golden threads were caught up and that ran in my sister's hair, children caught in poverty, abandonment, neglect, malnourished with their distended bellies, the weight of driftwood, seawater, fish and chips with my mother after our walk on the beach, talk of angels in war, drought, famine, hunger, the spitting, thin rain or being drenched by a downpour, harbingers, outsiders and insiders. "
― Abigail George , Winter in Johannesburg