43
" Great images have both a history and a prehistory; they are always a blend of memory and legend, with the result that we never experience an image directly. Indeed, every great image has an unfathomable oneiric depth to which the personal past adds special color. Consequently it is not until late in life that we really revere an image, when we discover that its roots plunge well beyond the history that is fixed in our memories. In the realm of absolute imagination, we remain young late in life. But we must lose our earthly Paradise in order to actually live in it, to experience it in the reality of its images, in the absolute sublimation that transcends all passion. A poet meditating upon the life of a great poet, that is Victor-Emile Michelet meditating upon the life of Villiers de l'Isle-Adam, wrote: "Alas! we have to grow old to conquer youth, to free it from its fetters and live according to its original impulse. "
― Gaston Bachelard , The Poetics of Space
47
" But how many daydreams we should have to analyze under the simple heading of Doors! For the door is an entire cosmos of the Half-open. In fact, it is one of its primal images, the very origin of a daydream that accumulates desires and temptations: the temptation to open up the ultimate depths of being, and the desire to conquer all reticent beings. The door schematizes two strong possibilities, which sharply classify two types of daydream. At times, it is closed, bolted, padlocked. At others, it is open, that is to say, wide open. "
― Gaston Bachelard , The Poetics of Space
50
" In my opinion, for Baudelaire, the word vast is a vocal value. It is a word that is pronounced, never only read, never only seen in the objects to which it is attached. It is one of those words that a writer always speaks softly while he is writing it. Whether in verse or in prose, it has a poetic effect, which is also an effect of vocal poetry. This word immediately stands out from the words that surround it, from the images, and perhaps, even, from the thought. It is a "power of the word." Indeed, whenever we read this word in the measure of one of Baudelaire's verses, or in the periods of his prose poems, we have the impression that he forces us to pronounce it. The word vast, then, is a vocable of breath. It is placed on our breathing, which must be slow and calm. And the fact is that always, in Baudelaire's poetics, the word vast evokes calm, peace and serenity. It expresses a vital, intimate conviction. It transmits to our ears the echo of the secret recesses of our being. For this word bears the mark of gravity, it is the enemy of turmoil, opposed to the vocal exaggerations of declamation. In diction enslaved to strict measure, it would be shattered. The word vast must reign over the peaceful silence of being. "
― Gaston Bachelard , The Poetics of Space
54
" 7502Far from the immensities of sea and land, merely through memory, we can recapture, by means of meditation, the resonances of this contemplation of grandeur. But is this really memory? Isn’t imagination alone able to enlarge indefinitely the images of immensity? In point of face, daydreaming, from the very first second, is an entirely constituted state. We do not see it start, and yet it always starts the same way, that is, it flees the object nearby and right away it is far off, elsewhere, in the space of elsewhere. "
― Gaston Bachelard , The Poetics of Space