Cold Mountain QUOTES

41 " Bleak as the scene was, though, there was growing joy in Inman's heart. He was nearing home; he could feel it in the touch of thin air on skin, in his longing to see the lead of hearth smoke from the houses of people he had known all his life. People he would not be called upon to hate or fear. He rose and took a wide stance on the rock and stood and pinched down his eyes to sharpen the view across the vast propect to one far mountain. It stood apart from the sky only as the stroke of a poorly inked pen, a line thin and quick and gestural. But the shape slowly grew plain and unmistakable. It was to Cold Mountain he looked. He had achieved a vista of what for him was homeland. "

― Charles Frazier , Cold Mountain

43 " Needing and getting don’t seem likely to match up any time soon... What needs doing is mine to do. "

― Charles Frazier , Cold Mountain

45 " On thing he discovered with a great deal of astonishment was that music held more for him than just pleasure. There was meat to it. The grouping of sounds, their forms in the air as they rang out and faded, said something comforting to him about the rule of creation. What the music said was that there is a right way for things to be ordered so that life might not always be just tangle and drift but have a shape, an aim. It was a powerful argument against the notion that things just happen. "

― Charles Frazier , Cold Mountain

47 " There was nothing about her story remarkable other than that it was her life. "

― Charles Frazier , Cold Mountain

49 " ... a man's spirit could be torn apart and cease and yet his body keep on living...His spirit blasted away so that he had become lonesome and estranged from all around him...It seemed a poor swap to find that the only way one might keep from fearing death was to act numb and set apart as if dead already. "

― Charles Frazier , Cold Mountain

51 " Inman's only thought looking on the enemy was, "Go home. "

― Charles Frazier , Cold Mountain

53 " Inman guessed Swimmer's spells were right in saying a man's spirit could be torn apart and cease and yet his body keep on living. They could take deathblows independently. He was himself a case in point, and perhaps not a rare one, for his spirit, it seemed, had been about burned out of him to fear that the mere existence of the Henry repeating rifle or the éprouvette mortar made all talk of spirit immediately antique. His spirit, he feared, had been blasted away so that he had become lonesome and estranged from all around him as a sad old heron standing pointless watch in the mudflats of a pond lacking frogs. It seemed a poor swap to find that the only way one might keep from fearing death was to act numb and set apart as if dead already, with nothing left of you but a hut of bones. "

― Charles Frazier , Cold Mountain

55 " By now he had stared at the window through a late summer so hot and wet that the air both day and night felt like breathing through a dishrag, so damp it caused fresh sheets to sour under him and tiny black mushrooms to grow overnight from the limp pages of the book on his bedside table. Inman suspected that after such long examination, the grey window had finally said all it had to say. "

― Charles Frazier , Cold Mountain

57 " ...it was pointless to think how those years could have been put to better use, for he could hardly have put them to worse. There was no recovering them now. You could grieve endlessly for the loss of time and for the damage done therein. For the dead, for your own lost self. But what the wisdom of the ages says is that we do well not to grieve on and on. And those old ones knew a thing or two and had some truth to tell, for you can grieve your heart out and in the end you are still where you were. All your grief hasn't changed a thing. What you have lost will not be returned to you. It will always be lost. You're left with only your scars to mark the void. All you can choose to do is go on or not. But if you go on, it's knowing you carry your scars with you. "

― Charles Frazier , Cold Mountain

59 " A song went around from fiddler to fiddler and each one added something and took something away so that in time the song became a different thing from what it had been, barely recognizable in either tune or lyric. But you could not say the song had been improved, for as was true of all human effort, there was never advancement.Everything added meant something lost, and about as often as not the thing lost was preferable to the thing gained, so that over time we'd be lucky if we just broke even.Any thought otherwise was empty pride. "

― Charles Frazier , Cold Mountain