21
" And she didn’t care about any one, just this one. She wanted the man who shared her soul to also share her vision. At least once. Just once. And here it was. And, blessing of blessings, it was the one painting that mattered more than any other. The one she would be showing to the most important gallery owner in Quebec in just a few days now. The one she’d poured everything into. ‘But are the colors quite right?’ Peter leaned into the easel then stepped back, not looking at her. ‘Well, I’m sure they are. You know what you’re doing.’ He kissed her and whispered, ‘Congratulations,’ into her ear. Then he left. Clara stepped back and stared at the canvas. Peter was one of the most respected and successful artists in Canada. Maybe he was right. The painting looked fine to her, but still "
― Louise Penny , The Cruelest Month (Chief Inspector Armand Gamache, #3)
38
" Gamache knew people were like homes. Some were cheerful and bright, some gloomy. Some could look good on the outside but feel wretched on the interior. And some of the least attractive homes, from the outside, were kindly and warm inside. He also knew the first few rooms were for public consumption. It was only in going deeper that he’d find the reality. And finally, inevitably, there was the last room, the one we keep locked, and bolted and barred, even from ourselves. Especially from ourselves. It "
― Louise Penny , The Cruelest Month (Chief Inspector Armand Gamache, #3)