42
" Musicians, especially those who are women, are often dogged by the assumption that they are singing from a personal perspective. Perhaps it is a carelessness on the audience’s part, or an entrenched cultural assumption that the female experience can merely encompass the known, the domestic, the ordinary. When a woman sings a nonpersonal narrative, listeners and watchers must acknowledge that she’s not performing as herself, and if she’s not performing as herself, then it’s not her who is wooing us, loving us. We don’t get to have her because we don’t know exactly who she is. An audience doesn’t want female distance, they want female openness and accessibility, familiarity that validates femaleness. Persona for a man is equated with power; persona for a woman makes her less of a woman, more distant and unknowable, and thus threatening. When men sing personal songs, they seem sensitive and evolved; when women sing personal songs, they are inviting and vulnerable, or worse, catty and tiresome. "
― Carrie Brownstein , Hunger Makes Me a Modern Girl
59
" Despite my lack of sophistication or maturity, I was headstrong. My sense of possibility and certainty made me focused. I had blinders on. I was a sprinter—there were no long-term goals, I just knew I’d run as hard as I could in any situation. I’d learned that as an adolescent, to keep moving, to not be dragged down. The best word to describe it is “scrappy.” I still feel that way today. Put me in a situation and I will find my way out of it or through it, I will hustle and scramble. I hate losing. Only later do I think about how it looks from the outside, and then I get stuck in a cycle of shame or anxiety—but in the moment, I rarely could see beyond it, I really could fight. I didn’t think much about how it looked from the outside, or how I looked. "
― Carrie Brownstein , Hunger Makes Me a Modern Girl