Miss Mapp (Lucia, #2) QUOTES

1 " Now Miss Mapp's social dictatorship among the ladies of Tilling had long been paramount, but every now and then signs of rebellious upheavals showed themselves. By virtue of her commanding personality these had never assumed really serious proportions, for Diva, who was generally the leader in these uprisings, had not the same moral massiveness. But now when Elizabeth was so exceedingly superior, the fumes of Bolshevism mounted swiftly to Diva's head. Moreover, the sight of this puzzling male impersonator, old, wrinkled, and moustached, had kindled to a greater heat her desire to know her and learn what it felt like to be Romeo on the music-hall stage and, after years of that delirious existence, to subside into a bath-chair and Suntrap and Tilling. What a wonderful life! . . . And behind all this there was a vague notion that Elizabeth had got her information in some clandestine manner and had muddled it. For all her clear-headedness and force Elizabeth did sometimes make a muddle and it would be sweeter than honey and the honeycomb to catch her out. So in a state of brooding resentment Diva went home to lunch and concentrated on how to get even with Elizabeth. "

― E.F. Benson , Miss Mapp (Lucia, #2)

3 " The Major's laughter boomed out again.

"And I never kept a diary in my life!" he cried. "Why there's enough cream in this situation to make a dishful of meringues. You and I, you know, the students of Tilling! The serious-minded students who do a hard day's work when all the pretty ladies have gone to bed. Often and often has old--I mean has that fine woman, Miss Mapp, told me that I work too hard at night! Recommended me to get earlier to bed, and do my work between six and eight in the morning! Six and eight in the morning! That's a queer time of day to recommend an old campaigner to be awake at! Often she's talked to you, too, I bet my hat, about sitting up late and exhausting the nervous faculties."

Major Flint choked and laughed and inhaled tobacco smoke till he got purple in the face.

"And you sitting up one side of the street," he gasped, "pretending to be interested in Roman roads, and me on the other pulling a long face over my diaries, and neither of us with a Roman road or a diary to our names. Let's have an end to such unsociable arrangements, old friend; you lining your Roman roads and the bottle to lay the dust over to me one night, and I'll bring my diaries and my peg over to you the next. Never drink alone--one of my maxims in life--if you can find someone to drink with you. And there were you within a few yards of me all the time sitting by your old solitary self, and there was I sitting by my old solitary self, and we each thought the other a serious-minded old buffer, busy on his life-work. I'm blessed if I ever heard of two such pompous old frauds as you and I, Captain! What a sight of hypocrisy there is in the world, to be sure! No offence--mind: I'm as bad as you, and you're as bad as me, and we're both as bad as each other. But no more solitary confinement of an evening for Benjamin Flint, as long as you're agreeable. "

― E.F. Benson , Miss Mapp (Lucia, #2)

5 " Miss Mapp had experienced a cruel disappointment last night, though the triumph of this morning had done something to soothe it, for Major Benjy's window had certainly been lit up to a very late hour, and so it was clear that he had not been able, twice in succession, to tear himself away from his diaries, or whatever else detained him, and go to bed at a proper time. Captain Puffin, however, had not sat up late; indeed he must have gone to bed quite unusually early, for his window was dark by half-past nine. To-night, again the position was reversed, and it seemed that Major Benjy was "good" and Captain Puffin was "bad". On the whole, then, there was cause for thankfulness, and as she added a tin of biscuits and two jars of Bovril to her prudent stores, she found herself a conscious sceptic about those Roman roads. Diaries (perhaps) were a little different, for egoism was a more potent force than archæology, and for her part she now definitely believed that Roman roads spelt some form of drink. She was sorry to believe it, but it was her duty to believe something of the kind, and she really did not know what else to believe. She did not go so far as mentally to accuse him of drunkenness, but considering the way he absorbed red-currant fool, it was clear that he was no foe to alcohol and probably watered the Roman roads with it. With her vivid imagination she pictured him--

Miss Mapp recalled herself from this melancholy reflection and put up her hand just in time to save a bottle of Bovril which she had put on the top shelf in front of the sack of flour from tumbling to the ground. With the latest additions she had made to her larder, it required considerable ingenuity to fit all the tins and packages in, and for a while she diverted her mind from Captain Puffin's drinking to her own eating. But by careful packing and balancing she managed to stow everything away with sufficient economy of space to allow her to shut the door, and then put the card-table in place again. It was then late, and with a fond look at her sweet flowers sleeping in the moonlight, she went to bed. Captain Puffin's sitting-room was still alight, and even as she deplored this, his shadow in profile crossed the blind. Shadows were queer things--she could make a beautiful shadow-rabbit on the wall by a dexterous interlacement of fingers and thumbs--and certainly this shadow, in the momentary glance she had of it, appeared to have a large moustache. She could make nothing whatever out of that, except to suppose that just as fingers and thumbs became a rabbit, so his nose became a moustache, for he could not have grown one since he came back from golf. . . . "

― E.F. Benson , Miss Mapp (Lucia, #2)

7 " But why did she come back and take her card away?" asked Miss Mackintosh. "I told Florence that Miss Mapp had heard something dreadful about her. And how did she know that Lady Deal was coming here at all? The house was taken in my name."

"That's just what we all long to find out," said Diva eagerly. "She said that somebody in London told her."

"But who?" asked Miss Mackintosh. "Florence only settled to come at lunch time that day, and she told her butler to ring up Susie and say she would be arriving."

Diva's eyes grew round and bright with inductive reasoning.

"I believe we're on the right tack," she said. "Could she have received Lady Deal's butler's message, do you think? What's your number?"

"Tilling 76," said Miss Mackintosh.

Evie gave three ecstatic little squeaks.

"Oh, that's it, that's it!" she said. "Elizabeth Mapp is Tilling 67. So careless of them, but all quite plain. And she did hear it from somebody in London. Quite true, and so dreadfully false and misleading, and so like her. Isn't it, Diva? Well, it does serve her right to be found out."

Miss Mackintosh was evidently a true Tillingite.

"How marvellous!" she said. "

― E.F. Benson , Miss Mapp (Lucia, #2)

9 " Quite as agreeable was the arrival of a fresh supply of red-currant fool, and as this had been heralded a few minutes before by a loud pop from the butler's pantry, which looked on to the lawn, Miss Mapp began to waver in her belief that there was no champagne in it, particularly as it would not have suited the theory by which she accounted for the Major's unwonted good humour, and her suggestion that the pop they had all heard so clearly was the opening of a bottle of stone ginger-beer was not delivered with conviction. To make sure, however, she took one more sip of the new supply, and, irradiated with smiles, made a great concession.

"I believe I was wrong," she said. "There is something in it beyond yolk of egg and cream. Oh, there's Boon; he will tell us."

She made a seductive face at Boon, and beckoned to him.

"Boon, will you think it very inquisitive of me," she asked archly, "if I ask you whether you have put a teeny drop of champagne into this delicious red-currant fool?"

"A bottle and a half, Miss," said Boon morosely, "and half a pint of old brandy. Will you have some more, Miss?"

Miss Mapp curbed her indignation at this vulgar squandering of precious liquids, so characteristic of Poppits. She gave a shrill little laugh.

"Oh, no, thank you, Boon!" she said. "I mustn't have any more. Delicious, though."

Major Flint let Boon fill up his cup while he was not looking.

"And we owe this to your grandmother, Miss Mapp?" he asked gallantly. "That's a second debt."

Miss Mapp acknowledged this polite subtlety with a reservation.

"But not the champagne in it, Major... "

― E.F. Benson , Miss Mapp (Lucia, #2)

11 " Miss Mapp moved towards the screen.

"What a delicious big screen," she said.

"Yes, but don't go behind it, Mapp," said Irene, "or you'll see my model undressing."

Miss Mapp retreated from it precipitately, as from a wasp's nest, and examined some of the studies on the wall, for it was more than probable from the unfinished picture on the easel that Adam lurked behind the delicious screen. Terrible though it all was, she was conscious of an unbridled curiosity to know who Adam was. It was dreadful to think that there could be any man in Tilling so depraved as to stand to be looked at with so little on...

Irene strolled round the walls with her.

"Studies of Lucy," she said.

"I see, dear," said Miss Mapp. "How clever! Legs and things! But when you have your bridge-party, won't you perhaps cover some of them up, or turn them to the wall? We should all be looking at your pictures instead of attending to our cards. And if you were thinking of asking the Padre, you know..."

They were approaching the corner of the room where the screen stood, when a movement there as if Adam had hit it with his elbow made Miss Mapp turn round. The screen fell flat on the ground and within a yard of her stood Mr. Hopkins, the proprietor of the fish-shop just up the street. Often and often had Miss Mapp had pleasant little conversations with him, with a view to bringing down the price of flounders. He had little bathing-drawers on...

"Hullo, Hopkins, are you ready," said Irene. "You know Miss Mapp, don't you?"

Miss Mapp had not imagined that Time and Eternity combined could hold so embarrassing a moment. She did not know where to look, but wherever she looked, it should not be at Hopkins. But (wherever she looked) she could not be unaware that Hopkins raised his large bare arm and touched the place where his cap would have been, if he had had one.

"Good morning, Hopkins," she said. "Well, Irene darling, I must be trotting, and leave you to your--" she hardly knew what to call it--"to your work."

She tripped from the room, which seemed to be entirely full of unclothed limbs, and redder than one of Mr. Hopkins's boiled lobsters hurried down the street. She felt that she could never face him again, but would be obliged to go to the establishment in the High Street where Irene dealt, when it was fish she wanted from a fish-shop... Her head was in a whirl at the brazenness of mankind, especially womankind. How had Irene started the overtures that led to this? Had she just said to Hopkins one morning: "Will you come to my studio and take off all your clothes?" If Irene had not been such a wonderful mimic, she would certainly have felt it her duty to go straight to the Padre, and, pulling down her veil, confide to him the whole sad story. But as that was out of the question, she went into Twemlow's and ordered four pounds of dried apricots. "

― E.F. Benson , Miss Mapp (Lucia, #2)

13 " Good morning, dear lady," he said. "By Jove! what a picture of health and freshness you are!"

Miss Mapp cast one glance at her basket to see that the paper quite concealed that article of clothing which the perfidious laundry had found. (Probably the laundry knew where it was all the time, and--in a figurative sense, of course--was "trying it on".) "

― E.F. Benson , Miss Mapp (Lucia, #2)

15 " No trumps. Not a trump. Not any sort of Trump. There! "

― E.F. Benson , Miss Mapp (Lucia, #2)