1
" By refusing randomness and unpredictability, conspiracy theories and paranoid reality tunnels reify the hubris of systematic rationality as such. “Maybe all systems—that is, any theoretical, verbal, symbolic, semantic, etc., formulation that attempts to act as an all-encompassing, all-explaining hypothesis of what the universe is about—are manifestations of paranoia.” As an “antidote” to such paranoia, Dick called for an injection of surprise into life—a cultivation, as it were, of noise on the line. “We should be content with the mysterious, the meaningless, the contradictory, the hostile, and most of all the unexplainably warm and giving. "
― , High Weirdness: Drugs, Esoterica, and Visionary Experiences in the Seventies
3
" The technological audacity of the Apollo program, with it's largely symbolic payload, was also sinking into the trivialisation that Guy Debord had identified the decade before as the underside of media spectacle. When Commander Alan Shepard strapped a six iron to a lunar excavation tool and whacked two golf balls across the Fra Mauro Highlands, he became, for a spell, nothing more than a tourist, that agent of commodification whose freedom of movement, as Debord had written, is "nothing more than the leisure of going to see what has become banal. "
― , High Weirdness: Drugs, Esoterica, and Visionary Experiences in the Seventies
5
" The transitive shift from observer to participant, from gaze to encounter, requires both active engagement and a passive willingness to allow the phenomenon to reveal itself in its own terms. This visionary leap opens a dimension of experience, of ontological possibility, that is simultaneously a kind of abyss. In finding a “Thou” where before there was an “it”—as Martin Buber would describe it—the psychonaut suddenly faces all manner of risks: terror, madness, delusion, or what Terence ironically called “death by astonishment.” But to not take the chance, for some anyway, falls short of the mark. "
― , High Weirdness: Drugs, Esoterica, and Visionary Experiences in the Seventies
