5
" Isabelle had always thought of her mind as a garden, a magical place to play as a child, when the grown-ups were having conversations and she was expected to listen politely-- and even, although she hated to admit this, later with Edward, her husband, when listening to the particularities of his carpet salesmanship wore her thin. Every year the garden grew larger, the paths longer and more complicated. Meadows of memories.
Of course, her mental garden hadn't always been well tended. There were the years when the children were young, fast-moving periods when life flew by without time for the roots of deep reflection, and yet she knew memories were created whether one pondered them or not. She had always considered that one of the luxuries of growing older would be the chance to wander through the garden that had grown while she wasn't looking. She would sit on a bench and let her mind take every path, tend every moment she hadn't paid attention to, appreciate the juxtaposition of the one memory against another. "
― Erica Bauermeister , The School of Essential Ingredients
10
" Add orange peel and cinnamon to milk. Grate the chocolate.'
The hard, round cake of chocolate was wrapped in yellow plastic with red stripes, shiny and dark when she opened it. The chocolate made a rough sound as it brushed across the fine section of the grater, falling in soft clouds onto the counter, releasing a scent of dusty back rooms filled with bittersweet chocolate and old love letters, the bottom drawers of antique desks and the last leaves of autumn, almonds and cinnamon and sugar.
Into the milk it went.
'Add anise.'
Such a small amount of ground spice in the little bag Abuelita had given her. It lay there quietly, unremarkable, the color of wet beach sand. She undid the tie around the top of the bag and swirls of warm gold and licorice danced up to her nose, bringing with them miles of faraway deserts and a dark, starless sky, a longing she could feel in the back of her eyes, her fingertips. "
― Erica Bauermeister , The School of Essential Ingredients
11
" Break the cinnamon in half.'
The cinnamon stick was light, curled around itself like a brittle roll of papyrus. Not a stick at all, Lillian remembered as she look closer, but bark, the meeting place between inside and out. It crackled as she broke it, releasing a spiciness, part heat, part sweet, that pricked her eyes and nose, and made her tongue tingle without even tasting it. "
― Erica Bauermeister , The School of Essential Ingredients
16
" Lillian put out ingredients- sticks of butter, mounds of chopped onion and minced ginger and garlic, a bottle of white wine, pepper, lemons.
"We'll melt the butter first," she explained, "and then cook the onions until they become translucent." The class could hear the small snaps as the onions met the hot surface. "Make sure the butter doesn't brown, though," Lillian cautioned, "or it will taste burned."
When the pieces of onion began to disappear into the butter, Lillian quickly added the minced ginger, a new smell, part kiss, part playful slap. Garlic came next, a soft, warm cushion under the ginger, followed by salt and pepper.
"You can add some red pepper flakes, if you like," Lillian said, "and more or less garlic or ginger or other ingredients, depending on the mood you're in or the one you wanted to create. Now," she continued, "we'll coat the crab and roast it in the oven. "
― Erica Bauermeister , The School of Essential Ingredients
17
" Spaghetti del mare," she said, coming through the door, "from the sea."
In the large, wide blue bowl, swirls of thin noodles wove their way between dark black shells and bits of red tomato.
"Breathe first," Charlie told him, "eyes closed." The steam rose off the pasta like ocean turned into air.
"Clams, mussels," Tom said, "garlic, of course, and tomatoes. Red pepper flakes. Butter, wine, oil."
"One more," she coaxed.
He leaned in- smelled hillsides in the sun, hot ground, stone walls. "Oregano," he said, opening his eyes. Charlie smiled and handed him a forkful of pasta. After the sweetness of the melon, the flavor was full of red bursts and spikes of hot pepper shooting across his tongue, underneath, like a steadying hand, a salty cushion of clam, the soft velvet of oregano, and pasta warm as beach sand. "
― Erica Bauermeister , The School of Essential Ingredients
19
" Now, when I'm deciding which ingredients to put together, I like to think about the central element in the dish. What flavors would it want? So I want you to think about crabs. Close your eyes. What comes to mind?"
Claire obediently lowered her eyelids, feeling her lashes brush against her skin. She thought of the fine hairs on the sides of a crab's body, the way they moved in the water. She thought of the sharp edges of claws moving their way across the wavy sand bed of the sea, of water so pervasive it was air as well as liquid.
"Salt," she said aloud, surprising herself.
"Good, now keep going," Lillian prompted. "What might we do to contrast or bring out the flavor?"
"Garlic," added Carl, "maybe some red pepper flakes."
"And butter," said Chloe, "lots of butter. "
― Erica Bauermeister , The School of Essential Ingredients
20
" I thought for our last session we should celebrate spring," Lillian said, coming out of the kitchen with a large blue bowl in her hands. "The first green things coming up through soft earth. I've always thought the year begins in the spring rather than January, anyway. I like the idea of taking the first asparagus of the year, picked right that day, and putting it in a warm, creamy risotto. It celebrates both seasons and takes you from one to the next in just a few bites."
They passed the bowl around the table, using the large silver spoon to serve generous helpings. The salad bowl came next, fresh Bibb lettuce and purple onions and orange slices, touched with oil and lemon and orange juice. Then a bread basket, heaped high with slices of fragrant, warm bread. "
― Erica Bauermeister , The School of Essential Ingredients
