44
" But then he grabbed the mic like a cudgel, raised it to the sky, lightning struck, and the cudgel was now a hammer, and the slave was transfigured into a god whose voice shivered the Earth. And that is the story hip-hop told me then. And for anyone who has felt, as I so often did, ignorant, enfeebled, enslaved to circumstance, this was myth and this was saga, awesome as any Aeneid, Iliad, or Odyssey. "
― Ta-Nehisi Coates , We Were Eight Years in Power: An American Tragedy
48
" We forgot that there were those who loved that old country as it was, who did not lament the divisions, but drew power from them. And so, we saw postcards with watermelons on the white house lawn. We saw simian caricatures of the first family, the invocation of a food stamp president, and his anti-colonialist Islamist agenda. These were the fetishes that gathered the tribe of white supremacy, that rallied them to the age-old banner. And if there was one mistake, one reason why I did not see the coming tragedy, why I did not account for it's possibilities, it was because I had not yet truly considered that banners fearsome power. "
― Ta-Nehisi Coates , We Were Eight Years in Power: An American Tragedy
49
" I understood slavery as bad and I had a vague sense that it had once been integral to the country and that the dispute over it had somehow contributed to the civil war. But even that partial sense ran contrary to the way the civil war was presented in the popular culture, as a violent misunderstanding, an honorable dual between wayward brothers instead of what it was. A spectacular chapter in a long war that was declared when the first Africans were brought chained to American shores. When it comes to the civil war, all of our popular understanding, our popular history and culture, our great films, the subtext of our arguments, are in defiance of its painful truths. It is not a mistake that Gone with the Wind is one of the most read works of American literature, or that The Birth of a Nation is the most revered touchstone of all American film. Both emerged from a need for palliatives and painkillers, an escape from the truth of those five short years in which seven hundred fifty thousand American soldiers were killed, more than all American soldiers kill in all other American wars combined, in a war declared for the cause of expanding African slavery. That war was inaugurated, not reluctantly, but lustily by men who believe property in humans to be the cornerstone of civilization, to be an edict of god, and so delivered their own children to his maw. And when that war was done the now defeated god lived on honored through the human sacrifice of lynching and racist programs. The history breaks the myth. And so, the history is ignored and fictions are weaved in to our art and politics that dress villainy in martyrdom, and transform banditry into chivalry. And so strong are these fictions that their emblem, the stars and bars, darkens front porches and state capitol buildings across the land to this day. "
― Ta-Nehisi Coates , We Were Eight Years in Power: An American Tragedy
51
" The most powerful country in the world has handed over all of it's affairs, the prosperity of an entire economy, the security of some 300 million citizens, the purity of it's water, the viability of it's air, the safety of it's food, the future of it's vast system of education, the soundness of it's national highways, airways, and railways, the apocalyptic potential of nuclear arsenal to a carnival barker who introduce the phrase "grab em by the pussy", into the national lexicon. It is as if the white tribe united in demonstration to say "if a black man can be president than any white man, no matter how fallen, can be president", and in that perverse way, the democratic dreams of Jefferson and Jackson were fulfilled. The American Tragedy now being wrought, is larger than most imaged and will not end with Trump. In recent times, whiteness as an overt political tactic has been restrained by a kind of cordiality held that it's overt invocation would scare off moderate whites. This has proved to be only half-true at best. Trump's legacy will be exposing the patina of decency for what it is and revealing just how much a demagague can get away with. It does not take much to imagine another politician, wiser in the ways of Washington, schooled in the methodology of governance, now liberated from the pretense of anti-racist civility, doing a much more effective job than Trump. "
― Ta-Nehisi Coates , We Were Eight Years in Power: An American Tragedy
52
" I saw, not so much a culture of pathology, as a culture fitted for a pathological world. To fight, stab, or shoot over respect seemed ridiculous to those who already had the society's respect. But all the boys and young men of my youth were keenly aware of how little they owned, how little of their lives they actually controlled. And so some of them made their stand on the scuff mark on their suede Pumas, on the trespassing of some corner, on the hard looks of strangers. "I ain't no punk," was the motto then, and the motto was adopted by those who knew what they were not but had no power to declare what they were. "
― Ta-Nehisi Coates , We Were Eight Years in Power: An American Tragedy
