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1 " Against Whatever It Is That's Encroaching"Best of all is to be idle,And especially on a Thursday,And to sip wine while studying the light:The way it ages, yellows, turns ashenAnd then hesitates foreverOn the threshold of the nightThat could be bringing the first frost.It's good to have a woman around just then,And two is even better.Let them whisper to each otherAnd eye you with a smirk.Let them roll up their sleeves and unbutton their shirts a bit.As this fine old twilight deserves,And the small schoolboyWho has come home to a room almost darkAnd now watches wide-eyedThe grownups raise their glasses to him,The giddy-headed, red-haired womanWith eyes tightly shut,As if she were about to cry or sing. "
― Charles Simic , Unending Blues
2 " --Birthday Star Atlas--"Wildest dream, Miss Emily, Then the coldly dawning suspicion— Always at the loss—come day Large black birds overtaking men who sleep in ditches. A whiff of winter in the air. Sovereign blue, Blue that stands for intellectual clarity Over a street deserted except for a far off dog, A police car, a light at the vanishing point For the children to solve on the blackboard today— Blind children at the school you and I know about. Their gray nightgowns creased by the north wind; Their fingernails bitten from time immemorial. We're in a long line outside a dead letter office. We're dustmice under a conjugal bed carved with exotic fishes and monkeys. We're in a slow drifting coalbarge huddled around the television set Which has a wire coat-hanger for an antenna. A quick view (by satellite) of the polar regions Maternally tucked in for the long night. Then some sort of interference—parallel lines Like the ivory-boned needles of your grandmother knitting our fates together. All things ambigious and lovely in their ambiguity, Like the nebulae in my new star atlas— Pale ovals where the ancestral portraits have been taken down. The gods with their goatees and their faint smiles In company of their bombshell spouses, Naked and statuesque as if entering a death camp. They smile, too, stroke the Triton wrapped around the mantle clock When they are not showing the whites of their eyes in theatrical ecstasy. Nostalgias for the theological vaudeville. A false springtime cleverly painted on cardboard For the couple in the last row to sigh over While holding hands which unknown to them Flutter like bird-shaped scissors . . . Emily, the birthday atlas! I kept turning its pages awed And delighted by the size of the unimaginable; The great nowhere, the everlasting nothing— Pure and serene doggedness For the hell of it—and love, Our nightly stroll the color of silence and time. "